The arc was attached in the observation room to a wall running exactly north, and so secured with screws (_firmissimis cochleis_) that no force could move it. With its concavity toward the southern sky it was closely comparable, though reverse, to the celestial meridian throughout its length from horizon to zenith. The south wall, above the point where the radii of the quadrant met, was pierced by a cylinder of gilded brass placed in a rectangular opening, which could be opened or closed from the outside. The observation was made through one of two sights that were attached to the graduated arc and could be moved from point to point on it. In the sights were parallel slits, right, left, upper, lower. If the altitude and the transit through the meridian were to be taken at the same time the four directions were to be followed. It was the practice for the student making the observation to read off the number of degrees, minutes, etc., of the angle at which the altitude or transit was observed, so that it might be recorded by a second student. A third took the time from two clock dials when the observer gave the signal, and the exact moment of observation was also recorded by student number two. The clocks recorded minutes and the smaller divisions of time; great care, however, was required to obtain good results from them. There were four clocks in the observatory, of which the largest had three wheels, one wheel of pure solid brass having twelve hundred teeth and a diameter of two cubits. Lest any space on the wall should lie empty a number of paintings were added: Tycho himself in an easy attitude seated at a table and directing from a book the work of his students. Over his head is an automatic celestial globe invented by Tycho and constructed at his own expense in 1590. Over the globe is a part of Tycho's library. On either side are represented as hanging small pictures of Tycho's patron, Frederick II of Denmark (d. 1588) and Queen Sophia. Then other instruments and rooms of the observatory are pictured; Tycho's students, of whom there were always at least six or eight, not to mention younger pupils. There appears also his great brass globe six feet in diameter. Then there is pictured Tycho's chemical laboratory, on which he has expended much money. Finally comes one of Tycho's hunting dogs--very faithful and sagacious; he serves here as a hieroglyph of his master's nobility as well as of sagacity and fidelity. The expert architect and the two artists who assisted Tycho are delineated in the landscape and even in the setting sun in the top-most part of the painting, and in the decoration above.