A Yo-kai-a widow's style of mourning is peculiar. In addition to the usual evidences of grief she mingles the ashes of her dead husband with pitch making a white tar or unguent, with which she smears a band about two inches wide all around the edge of the hair (which is previously cut off close to the head) so that at a little distance she appears to be wearing a white chaplet. It is their custom to feed the spirits of the dead for the space of one year by going daily to places which they were accustomed to frequent while living, where they sprinkle pinole upon the ground. A Yo-kai-a mother who has lost her babe goes every day for a year to some place where her little one played when alive or to the spot where the body was burned and milks her breasts into the air. This is accompanied by plaintive mourning and weeping and piteous calling upon her little one to return and sometimes she sings a hoarse and melancholy chant and dances with a wild ecstatic swaying of her body. SONGS. It has nearly always been customary to sing songs at not only funerals but for varying periods of time afterwards although these chants may no doubt occasionally have been simply wailing or mournful ejaculation. A writer [Footnote: Am. Antiq., April-May-June 1879, p. 251.] mentions it as follows: "At almost all funerals there is an irregular crying kind of singing with no accompaniments, but generally all do not sing the same melody at the same time in unison. Several may sing the same song and at the same time, but each begins and finishes when he or she may wish. Often for weeks, or even months, after the decease of a dear friend, a living one, usually a woman, will sit by her house and sing or cry by the hour; and they also sing for a short time when they visit the grave or meet an esteemed friend whom they have not seen since the decease. At the funeral both men and women sing. No. 11 I have heard more frequently some time after the funeral, and No. 12 at the time of the funeral, by the Twanas (For song see p. 251.) The words are simply an exclamation of grief, as our word 'alas'; but they also have other words which they use, and sometimes they use merely the syllable _la_. Often the notes are sung in this order, and sometimes not, but in some order the notes _do_ and _la,_ and occasionally _mi,_ are sung." GAMES. It is not proposed to describe under this heading examples of those athletic and gymnastic performances following the death of a person which have been described by Lafitau, but simply to call attention to a practice as a secondary or adjunct part of the funeral rites, which consists in gambling for the possession of the property of the defunct. Dr. Charles E. McChesney, U. S. A., who for some time was stationed among the Wahpeton and Sisseton Sioux, furnishes a detailed and interesting account of what is called the "ghost gamble." This is played with marked wild-plum stones. So far as ascertained it is peculiar to the Sioux.