The character zero seems to have played an important part in Maya
calculations, and signs for it have been found in both the codices and the
inscriptions. The form found in the codices (fig. 46) is lenticular; it
presents an interior decoration which does not follow any fixed scheme.[63]
Only a very few variants occur. The last one in figure 46 has clearly as
one of its elements the normal form (lenticular). The remaining two are
different. It is noteworthy, however, that these last three forms all stand
in the 2d, or uinal, place in the texts in which they occur, though whether
this fact has influenced their variation is unknown.
[Illustration: FIG. 47. Sign for 0 in the inscriptions.]
[Illustration: FIG. 48. Figure showing possible derivation of the sign for
0 in the inscriptions: _a_, Outline of the days of the tonalamatl as
represented graphically in the Codex Tro-Cortesiano; _b_, half of same
outline, which is also sign for 0 shown in fig. 47.]
Both normal forms and head variants for zero, as indeed for all the
numbers, have been found in the inscriptions. The normal forms for zero are
shown in figure 47. They are common and are unmistakable. An interesting
origin for this sign has been suggested by Mr. A. P. Maudslay. On pages 75
and 76 of the Codex Tro-Cortesiano[64] the 260 days of a tonalamatl are
graphically represented as forming the outline shown in figure 48, a. Half
of this (see fig. 48, _b_) is the sign which stands for zero (compare with
fig. 47). The train of association by which half of the graphic
representation of a tonalamatl could come to stand for zero is not clear.
Perhaps _a_ of figure 48 may have signified that a complete tonalamatl had
passed with no additional days. From this the sign may have come to
represent the idea of completeness as apart from the tonalamatl, and
finally the general idea of completeness {94} applicable to any period; for
no period could be exactly complete without a fractional remainder unless
all the lower periods were wanting; that is, represented by zero. Whether
this explains the connection between the outline of the tonalamatl and the
zero sign, or whether indeed there be any connection between the two, is of
course a matter of conjecture.
Public-domain text, read in full here on John Shaqi.
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