B1a = 9 × 144,000 = 1,296,000
B1b = 16 × 7,200 = 115,200
A2a = 5 × 360 = 1,800
A2b = 0 × 20 = 0
B2a = 0 × 1 = 0
---------
1,413,000
Deducting from this number all the Calendar Rounds possible, 74 (see Table
XVI), and applying rules 1, 2, and 3 (pp. 139, 140, and 141, respectively)
to the remainder, the terminal date reached by the resulting calculations
will be 8 Ahau 8 Zotz. Turning to our text, the student will have no
difficulty in recognizing in B2b the day 8 Ahau. The month glyph in this
inscription irregularly follows immediately {176} the day glyph. Compare
the form in A3a with the month signs in figure 19 and it will be found to
be the sign for Zotz (see fig. 19, _e-f_). The coefficient is 8 and the
whole glyph represents the month part 8 Zotz, the same as determined by
calculation. This whole Initial Series reads 9.16.5.0.0 8 Ahau 8 Zotz.
The Maya texts presented up to this point have all been drawings of
originals, which are somewhat easier to make out than either photographs of
the originals or the originals themselves. However, in order to familiarize
the student with photographic reproductions of Maya texts a few will be
inserted here illustrating the use of bar and dot numerals with both
normal-form and head-variant period glyphs, with which the student should
be perfectly familiar by this time.
In plate 9, _A_, is figured a photograph of the Initial Series on the front
of Stela 11 at Yaxchilan.[145] The introducing glyph appears in A1 B1; 9
cycles in A2; 16 katuns in B2, 1 tun in A3, 0 uinals in B3, and 0 kins in
B4. The student will note the clasped hand in the cycle head, the oval in
the top of the katun head, the large mouth curl in the uinal head, and the
flaring postfix in the kin head. The tun is expressed by its normal form.
The number here recorded is 9.16.1.0.0, and reducing this to units of the
first order by means of Table XIII, we have:
A2 = 9 × 144,000 = 1,296,000
B2 = 16 × 7,200 = 115,200
A3 = 1 × 360 = 360
B3 = 0 × 20 = 0
A4 = 0 × 1 = 0
---------
1,411,560
Public-domain text, read in full here on John Shaqi.
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