‘And you are afraid of this voice, Mr. Monson? I wonder at you!’
‘You should have my full consent to wonder,’ said I, ‘if it were the
first time; but there was the other night, you know, with solid, sour,
uncompromising old Crimp to hear me witness, and now again to-day, with
a boatful of men for evidence.’
‘Really, Mr. Monson, what do you want to make yourself believe?’ she
asked, with a tone like a half-laugh in her speech; ‘the dead cannot
speak.’
‘So ’tis said,’ I grumbled, sucking hard at my cigar to kindle it
afresh.
‘Human syllables cannot be delivered save by human lips. What, then,
could have spoken out of the darkness of the sea the other night?’
‘Does not Milton tell of airy tongues that syllable men’s names?’ said
I gloomily.
‘Mr. Monson, I repeat that I wonder at you. How can you suffer your
imagination to be cheated by some trick of the senses?’ she laughed.
‘Pray, be careful. You may influence me. Then what a morbid company
shall we make? I am sure you would like me to believe in this
mysterious voice of yours. But, happily, we Colonials are too young, as
a people, to be superstitious. We must wait for our ruined castles, and
our moated granges, and our long, echoing, tapestry-lined corridors.
Then, like you English, we may tremble when we hear a mysterious voice.’
She started violently as she said this, giving my arm so smart a pull
that it instantly brought me to a halt, whilst in a voice of genuine
alarm she exclaimed, ‘Good gracious! what is that?’
Her face was turned up towards the weather yardarm of the
square topsail, where, apparently floating a little above the
studdingsail-boom iron, like to a flame in the act of running down
the smoke of an extinguished candle ere firing the wick, shone a
pendulous bubble of greenish fire, but of a luminosity sufficiently
powerful to distinctly reveal the extremity of the black spar pointing
finger-like into the darkness ahead, whilst a large space of the curve
of the topgallant-sail above showed in the lustre with something of
the glassy, delicate greenness you observe in a midsummer leaf in
moonshine. The darkness, with its burden of stars, seemed to press to
the yacht the deeper for that mystic light, and much that had been
distinguishable outlines before melted out upon the sight.
‘What is it?’ exclaimed Miss Jennings in a voice of consternation, and
I felt her hand tighten upon my arm with her fears thrilling through
the involuntary pressure.
‘Figure an echoing corridor hung with aged tapestry stirring to cold
draughts which seem to come like blasts from a graveyard, a noise as
of the distant clanking of chains, and then the apparition of a man in
armour, holding up such a lantern as that yonder, approaching you who
are spell-bound and cannot move for horror.’ I burst out laughing.
‘What is that light, Mr. Monson?’ she cried petulantly.
Public-domain text, read in full here on John Shaqi.
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