Finn made no answer. We arrived at the forehatch and descended. The
‘Bride’s’ forecastle was a large one for a vessel of her size. On
either hand abaft was a small cabin partially bulk-headed off from
the sailors’ sleeping-room, respectively occupied by Jacob Crimp and
Cutbill. Whether the mate ate with the captain, whose berth was just
forward of the one that had been occupied by Muffin, with access by
means of a sliding door to a small living room through which he could
pass into the forecastle, I cannot say. It was a rough scene to light
upon, after the elegance, glitter, and rich dyes of the fittings of our
quarters aft, but the more picturesque for that quality as I found it
now, at least on viewing the homely and coarse interior by the light
of a small oil lamp of the shape of a block-tin coffee-pot with a
greasy sort of flame coming out of the spout, and burning darkly into a
corkscrew of smoke that wound hot and ill-flavoured to the upper deck.
There were bunks for the seamen and two or three hammocks slung right
forward; suits of oilskins hung by nails against the stanchions, and
swung to the motion of the vessel like the bodies of suicides swayed by
the wind. The deck was encumbered by sea-chests cleated or otherwise
secured. Here and there glimmering through the twilight in a bunk I
took notice of a little framed picture, a pipe rack, with other odds
and ends, trifling home memorials, and the artless conveniences with
which poor Jack equips himself. There were seamen lying in their beds,
a vision of leathery noses forking up out of a hedge of whisker, with
bright wide-awake eyes that made one think of glow-worms in a bird’s
nest; other equally hairy-faced figures in drawers and with naked feet,
huge bare arms dark with moss and prickings in ink, sat with their legs
over the edge of their bunks. It was with difficulty that I controlled
my gravity when on casting a hurried glance round the forecastle on
entering it my gaze lighted on the visage of Muffin, whose yellowness
in the dull lamplight showed with the spectral hue of ashes. His bunk
was well forward; his bare legs hung from the edge like a couple of
broomsticks: his hands were clasped; his head slightly on one side;
his posture one of alarm, amid which, however, there still lurked a
native quality of valet-like sleekness with a suggestion of respectful
apology for feeling nervous. Sweet as the ‘Bride’ was, no doubt, as a
pleasure vessel compared with other craft of those times, the odour of
this interior, improved as it was by the flaring snuff of the lamp,
not to mention a decidedly warm night, was by no means of the most
delicious. Added to this was the lift and fall of the yacht’s bows
which one felt here so strongly, that, coming fresh from the tender
heavings of the after-deck, you would have imagined a lively head sea
had sprung up on a sudden. That Muffin should have stood it astonished
me. Sleeping as he did, right in the ‘eyes,’ he got the very full of
the motion.
Public-domain text, read in full here on John Shaqi.
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