I was up and about a great deal during the night. It was not only
that the heat murdered sleep; there was something so ominous in the
profound stillness which fell upon our little ship that the mind found
itself weighed down as with a sense of misgiving, a dull incommunicable
dread of approaching calamity. Of the dead calm at sea I was by no
means ignorant; in African and West Indian waters I had tasted of the
delights of this species of stagnation over and over again. One calm,
I remember, came very close to realising Coleridge’s description, or
rather the description that the poet borrowed from the narrative of
old Sir Richard Hawkins preserved in the foxed and faded pages of the
Rev. Samuel Purchas. The water looked to be full of wriggling fiery
creatures burning in a multitude of colours till the surface of the sea
resembled a vast, ghastly prism reflecting the lights of some hellish
principality, deep sunk in the dark brine. But I never recollect the
ocean until this night as without some faint heave or swell; yet after
the weak draught of air had utterly died out, somewhere about midnight,
the yacht slept upon a bosom as stirless as the surface of a summer
lake. There was not the slightest movement to awaken an echo in her
frame, to run a tremor through her canvas, to nudge the rudder into
the dimmest clanking of its tiller chains. The effect of such a hush
as this at sea is indescribable. On shore, deep in the country, far
distant from all hum of life, the stillness of night is a desired and
familiar condition of darkness; it soothes to rest; whatever vexes
it is a violence; the sweeping of a gale through hissing and roaring
trees, the thunder of wind in the chimney, the lashing of the windows
with hail and rain, the red belt of lightning to whose view the bedroom
glances in blood to the eye of its disturbed occupant; all this brings
with it an element of fear, of something unusual, out of keeping, out
of nature almost. But at sea it is the other way about. ’Tis the dead
calm that is unnatural. It is as though the mighty forces of heaven and
ocean had portentously sucked in their breath in anticipation of the
shock of conflict, as a warrior fills his lungs to the full and then
holds his wind whilst he waits the cry of charge.
I tried to sleep, but could not, and hearing one o’clock struck on the
forecastle, dropped out of my bunk for ten minutes of fresh air on
deck. Cutbill sat with his back against the table; the small flame of
the lamp that hung without the least vibration from the cabin ceiling
gleamed in the sweat-drops that coated his face as though oil had been
thrown upon him. I said softly, pausing a moment to address him: ‘A
wonderfully still night, Cutbill.’
‘Never remember the like of it, sir,’ he answered in a whisper that
had a note of strangling in it, with his effort to subdue his natural
tempestuous utterance.
‘All quiet aft?’
‘As a graveyard, sir.’
Public-domain text, read in full here on John Shaqi.
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