It was natural that the moment light enough stole into the atmosphere
to see by, my first look should be at the girl by my side. Her head was
uncovered; I in slipping on the lifebuoy, or Cutbill in removing it
from her, had bared her hair, and the beautiful gold of it lay like a
cloud upon her back and shoulders. It was as dry as were our clothes;
the heat of the island had indeed served us as an oven. She was deadly
pale, hollow-eyed, with a shadow as of the reflection of a spring
leaf under each eye; her lips blanched, her countenance piteous with
its expression of fear. Her dress had been torn by the wreckage: more
shipwrecked than she no girlish figure could ever have looked, yet her
beauty stole through all like a spirit breathing in her, and I could
not release her without first pressing her to my heart and kissing her
hand and fondling it, whilst I thanked God that she was alive and that
we were together.
The yacht had broken in half from a few feet abaft of where her
foremast had stood. All the after part of her had disappeared;
nothing remained but the bows with the black planks winding round,
jagged, twisted, broken; an incredible ruin! The putty-coloured shore
that looked to the eye to trend with something of the smoothness of
pumice-stone to the wash of the surf was dark with wreckage. I saw
several figures lying prone amongst this litter of ribs and planks and
cases and the like; there were others again recumbent higher up--five
of them I counted--a few hundred paces distant, two of whom, as the
three of us sat casting our eyes about us, slowly rose to their legs to
survey the scene. One of these was Finn, the other one of the crew of
the ‘Bride.’
I exclaimed, pointing to the furthest of the three figures who
continued recumbent, ‘Isn’t that a woman?’
Cutbill stared; Laura, whose eyes were keen, said, ‘Yes. Is it
Henrietta or my maid?’
Public-domain text, read in full here on John Shaqi.
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