As I am growing old, and am, moreover, somewhat peculiarly
circumstanced, I suppose that I must put up with such a wife as it
pleases God to send me; but were I ten or fifteen years younger, and
"well to do," I would accept of no descendant of mother Eve, as a
helpmate and partner for life, who did not cut at least two inches on
the ribs. The Turks, who are practical men of taste in these things; the
Chinese, who pretend to the highest antiquity in civilization; the naked
Africans and South Sea Islanders, beyond dispute the most
unsophisticated of all father Adam's children, and who, like Job,
"retain their integrity" pretty stiffly, considering the missionaries,
the "march of intellect," and other untoward circumstances, are all of
them most decidedly in favor of something substantial in wedlock; no man
of taste, in either of these nations, ever dreams of comfort and
happiness in matrimony, unless he clasps to his bosom an armful of wife.
They choose their wives as we do lobsters--the heaviest are the best.
I am a firm believer in the maxim that mind and matter exert a mutual
influence upon each other, and one of the most obvious deductions from
that datum that occurs to my mind is, that the acidities of the
disposition are not only neutralized but absolutely shut up by the
embonpoint of the body. People blessed with healthy plumpness are
indolent as well as good-natured, and it is a laborious piece of
business for such folks to get in a passion.
The wealth and fondness of Julia's father, and her own natural good
sense, had made her mistress of all those elegant and fashionable
accomplishments that constitute the education of a lady of fortune; and
she had a grace and sweetness in every thing she did that reminded the
beholder of that exquisitely beautiful line in Ariosto:
"She walked--she spoke--she sang--and heaven was there."
This description may not be according to certain received axioms
concerning female beauty; but I never could bear to contemplate a fair
face and graceful form as painters do, who measure woman's loveliness by
certain fixed and arbitrary rules, as surveyors of lumber do boards.
Nothing makes me more fidgetty than to hear a man compare every
beautiful face he sees with a certain standard, even if that standard is
the Venus de Medicis herself; this face is not good, for it is not
exactly oval; that nose is altogether wrong, for it is not Grecian; a
chin is not this, or a mouth is not that, &c. Portrait painters are much
addicted to this kind of criticism; and whenever I find myself in
company with one of these two-foot-rule critics, I make my escape from
him as I would from a plague hospital.
Public-domain text, read in full here on John Shaqi.
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