An Onlooker in France 1917-1919Orpen, William, Sir
History
An Onlooker in France 1917-1919
Orpen, William, Sir
World War, 1914-1918 -- Personal narratives; World War, 1914-1918 -- Pictorial works
Shortly afterwards the President arrived, smiling as usual; but he was
a good sort, and he laughed hard when I told him the story of the
detectives. He was very genial and sat well, but even then he was very
nervous and twitchy. He told endless stories, mostly harmless, and
some witty. I only remember one. A king was informed that all the men
in his State were obeying their wives; so he ordered them all before
him on a certain day and spoke to them, saying he had heard the fact
about their obeying their wives, and he wished to ascertain if it was
so. So he commanded, "All men who obey their wives go to my left!"
They all went to his left except one miserable little man, who
remained where he was, alone. The king turned, and said to him: "Are
you the only man in my State who does not obey his wife?" "No, sire,"
said the little man, "I obey my wife, sire." "Then why do you not go
to my left as I commanded?" "Because, sire," said the little man, "my
wife told me always to avoid a crush." It's a mild story, but it's the
only one I remember. The only other thing I recollect about President
Wilson is that he had a great admiration for Lord Robert Cecil.
General Sackville-West came, and we had some peaceful sittings. A very
calm, very sad man, but he was kindness itself. Many are the acts for
which I have to thank him.
Lord Beatty arrived in Paris. A lunch was given in his honour at the
Embassy, after which he came back with me to the "Astoria," and sat. (p. 108)
A forceful character! I may be wrong, but I imagine he did not love
the "frocks."
George Adam gave a great dinner one night out at some little country
place near Paris. Mr. Massey, of New Zealand, and Admiral Heaton Ellis
were the two chief people present. Massey was a most pleasant big man,
with kind, blue eyes--a simple, honest, straightforward person, large
in body and big enough in brain to laugh at himself. He made me feel I
was back painting the honest people in the war. He had none of the
affectations of the "frocks."
I painted the Marquis Siongi in his flat in the Rue Bassano. There one
worked in the calm of the East. People entered the room, people left,
but I never heard a sound. The Marquis sat--never for one second did
his expression give an inkling of what his brain was thinking about.
He never moved; his eyelids never fluttered, and beside me all the
time I worked, curled up on a sofa, was his daughter--surely one of
the most beautiful women I have ever seen, soft and gentle, with her
lovely little white feet. I loved it all. When I left that flat I
could not help feeling I was going downstairs to a lower and more
common world, a world where passions and desires were thrust upon
one's eyes and ears, leaving no room for imagination or wonder. I
never pass down the Rue Bassano now that I do not think of the Marquis
and those lovely little white feet, the gentle manners and the calm of
the East which pervaded those apartments.
Public-domain text, read in full here on John Shaqi.
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