An open verdict : $b a novel, volume 1 (of 3)Braddon, M. E. (Mary Elizabeth)
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An open verdict : $b a novel, volume 1 (of 3)
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
‘Husband, you are too cruel--groundless accusations--vilest
suspicions--I will not, I cannot bear this persecution any longer. I
will leave you this very night.’
‘Yes,’ he answered, ‘your lover is waiting for you. It was his carriage
that passed us on the road--and _you_ know it.’
‘I do,’ she exclaimed with flashing eyes, ‘and I thank God that I have
a friend and defender so near.’
And then she left him, to go to her own room as he fancied. He took
her talk of flight as an empty threat. She had threatened him in this
same way more than once in her passion. Their quarrel to-night had been
a little more violent than usual. That was all. His jealousy had been
aroused by the sight of a face he hated, looking out of a travelling
carriage that whirled by them in a cloud of white dust on the sunny
mountain road. He had given free rein to his violence afterwards, when
they were alone at the inn--and had spoken words that no woman could
forgive or forget.
Late that night he found her gone, and on inquiry discovered that
a carriage had been seen waiting not far from the inn, and a lady,
muffled in a mantle, had been seen to enter it. He heard this some
hours after the event. He had no clue to assist him in discovering the
way the carriage had taken, but he concluded that it had gone on to
Citta di Castello. He had no doubt as to the face he had seen looking
out of the window, athwart that blinding cloud of dust, as the bells
jingled on the ragged old harness, and the driver lashed his jaded
horses.
The outer door of the Water House shut with a prolonged reverberation,
like the door of an empty church. Antonio was gone. Christian Harefield
sank down in his accustomed seat, and sat staring at the fire, with
hollow eyes, his arms hanging loosely across the oaken arms of the
chair, his long thin hands falling idly, his lips moving faintly, now
and then, but making no sound, as if repeating dumbly some conversation
of the past--the ghosts of words long dead.
Those haggard eyes, which seemed to be staring at the red logs, were
indeed looking along the corridor of slow dull years to that one point
in the past when life was fresh and vivid, and all this earth flushed
with colour and alive with light.
He was thinking of the evening when he first saw the girl who was
afterwards his wife.
Public-domain text, read in full here on John Shaqi.
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