An open verdict : $b a novel, volume 1 (of 3)Braddon, M. E. (Mary Elizabeth)
General
An open verdict : $b a novel, volume 1 (of 3)
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
Christian Harefield’s wife confessed that she had never loved him, that
she had sacrificed her own inclinations for the benefit of her family.
She confessed further that she had loved Antonio Murano; but declared
at the same time, with tears of mingled anger and shame, that no word
had ever been spoken by either of them since her marriage which her
husband could blame.
‘You have seen him. He has been your chosen companion and friend,’
cried Christian Harefield. ‘If you had meant to be true to me you would
never have seen his face after your marriage. Had you been honest
and loyal I would have forgiven you for not loving me. I will never
forgive you for deceiving me.’
From that hour there was no longer even the semblance of love between
them. On Mr. Harefield’s part there was an ill-concealed aversion
which extended even to his child. Finally came that last Italian
journey--necessitated by the wife’s fast failing health--and with that
journey the end. They went this time not to Florence, Mrs. Harefield’s
beloved home, but to Venice, where she was a stranger. From Venice
they were to go to Rome for the winter, and it was while they were
travelling towards Rome that the catastrophe came. Christian Harefield
believed that his wife had left him with her cousin--that the whole
thing had been deliberately planned between them, Captain Murano
following them southward from Venice.
This was the bitter past upon which Christian Harefield looked back as
he sat before his solitary hearth that wintry night. The story of his
wedded life passed before him like a series of pictures. He might have
made it better, perhaps, if he had been wiser, he told himself; but
he could not have made his wife love him, and he had loved her too
passionately to be satisfied with less than her love. They were doomed
to be miserable.
It was long before he read the Reverend Mother’s statement. The clock
had struck more than once. His servant had come in for the last time,
bringing a fresh supply of wood. The doors had been locked and barred.
The household had gone to bed. It was the dead of night before Mr.
Harefield aroused himself from that long reverie, and opened the sealed
paper which was to confirm Antonio Murano’s story.
He read it slowly and thoughtfully, and believed it. What motive could
any one have for deceiving him, now, after all these years, when the
griefs and passions of the past were dead things--like a handful of
gray dust in a funeral urn?
Public-domain text, read in full here on John Shaqi.
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