An open verdict : $b a novel, volume 1 (of 3)Braddon, M. E. (Mary Elizabeth)
General
An open verdict : $b a novel, volume 1 (of 3)
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
She went upstairs, intending to go straight to her own room. She
did not want to exhibit her grief before kindly Miss Scales. She
shrank from her governess’s sympathy--would not for worlds have told
her secret, or bared her wounds, or allowed Cyril’s affection to be
canvassed or criticised. She wanted no one’s sympathy or advice, and
had fully made up her mind as to her future course.
‘If he will be steadfast to me I will be true to him,’ she said within
herself. ‘I laugh at the thought of poverty if it is to be shared with
him.’
In the dimly lighted corridor she stopped suddenly, with a start of
surprise. Something had happened which she had never known to occur
before. The key was in the lock of her mother’s room,--that sealed
chamber, the picture of which was more dimly painted on her memory than
a dream of past years--the room she had so languished to see.
Without a thought of whether it were right or wrong she ran to her room
at the other end of the corridor, fetched a candle, and went back to
her mother’s door.
The door was unlocked. She took out the key, went in, and locked the
door inside, to secure herself from interruption.
‘Dear room,’ she said, looking round in the dim light. ‘Yes, I remember
it better now--and mamma sitting there in that low chair by the
fire--and I lying on that white rug with my toys scattered about. Ah,
what happy days! The soft fleecy whiteness used to remind me of snow.
And then when I was tired of play mamma used to take me into her lap
and sing to me. Oh, how I loved her! No, there is no love like that--no
love so sweet, so strong, so holy! Mother, if you could come back to
me for a few short years I would give up Cyril. I would sacrifice
that newer love for the old one--for the old love was dearer, sweeter,
closer, better.’
She flung herself on her knees beside the empty chair, and sobbed out
her passionate grief. It seemed to her almost as if there were sympathy
in that contact--a kind of sympathy which comforted her soul. To these
dumb things which breathed of her mother’s presence she could pour out
her sorrow, she could lay bare her heart. No pride restrained her here.
So she remained for a long time, till her passion had almost worn
itself out in weeping. Then she rose and looked round the room, and
then slowly examined each once familiar object, candle in hand. The
dust lay white upon everything, and the spider had spun his gauzy
draperies from curtain to curtain.
Yes. Everything was as she had faintly remembered it. There stood the
Japanese cabinets, with their rich raised work representing dragons,
and birds, and fishes, and golden trees, and golden bridges, and golden
temples, all golden on a shining black ground. How often she had stood
before one of those cabinets, admiring the strange creatures!
‘Are they all gold when they are alive, mamma?’ she had asked once,
‘and do they swim in black water?’
Public-domain text, read in full here on John Shaqi.
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