"The rosemary is for married men and man challengeth it, as belonging
properly to himself. It helpeth the brain, strengtheneth the memory,
and affects kindly the heart. Let this flower of man ensign your
wisdom, love and loyalty, and carry it, not only in your hands, but in
your heads and hearts." Then he lifted his glass and stirred the wine
with his strip of rosemary, and as he did so all followed his example,
while he repeated from an old romance the following lines:
... "Before we divide,
Let us dip our rosemaries
In one rich bowl of wine, to this brave girl
And to the gentleman."
With these words he departed, and the utmost and happiest interchange
of all kinds of good fellowship followed. Every man and woman was at
perfect ease and ready to give of the best they had. Even Adam Vedder
delighted all, and especially his happy-looking bride, by his clever
condensation of Sunna's favourite story of "The Banded Men." No
finished actor could have made it, in its own way, a finer model of
dramatic narrative, especially in its quaint reversal of the parts
usually played by father and son, into those of the prodigal father
and the money-loving, prudent son. Then a little whisper went round
the table and it sprang from Sunna, and people smiled and remembered
that Adam had won his wife from three younger men than himself and, as
if by a single, solid impulse, they stirred their wine cups once more
and called for a cheer for the old bridegroom, who had been faithful
for forty years to his first love and had then walked off with her,
from Provost, Lawyer and Minister; all of them twenty years younger
than himself.
Getting near to three o'clock, they began to sing and Rahal was
pleased to hear that sound of peace, for several guests were just from
the battlefield and quite as ready for a quarrel as a song. Also
during the little confusion of removing fruit and cake and glasses,
and the substitution of the cups and saucers and the strong, hot,
sweet tea that every Norseman loves, Ian and Thora slipped away
without notice. Max Grant's carriage put them in half-an-hour on the
threshold of their own home. They crossed it hand and hand and Ian
kissed the hand he held and Thora raised her face in answer; but words
have not yet been invented that can speak for such perfect happiness.
Love is rich in his own right,
He is heir of all the spheres,
In his service day and night
Swing the tides and roll the years.
What has he to ask of fate?
Crown him, glad or desolate.
Time puts out all other flames
But the glory of his eyes;
His are all the sacred names,
His the solemn mysteries.
Crown him! In his darkest day
He has Heaven to give away!
Public-domain text, read in full here on John Shaqi.
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