An Outcast; Or, Virtue and FaithAdams, F. Colburn (Francis Colburn)
General
An Outcast; Or, Virtue and Faith
Adams, F. Colburn (Francis Colburn)
Conduct of life -- Fiction; United States -- Social life and customs -- 19th century -- Fiction; Vice -- Fiction
"Why," says Tom, "should I consult the dignity of a mother who discards
me? The love of this lone daughter of the antiquary, this girl who
strives to know my wants, and to promote my welfare, rises superior to
all. I will away with such thoughts! I will be a man!" Maria, with eager
eye and thoughtful countenance, sits at the little antique centre-table,
reading Longfellow's Evangeline, by the pale light of a candle. A lurid
glare is shed over the cavern-like place. The reflection plays curiously
upon the corrugated features of the old man, who, his favorite cat at
his side, reclines on a stubby little sofa, drawn well up to the fire.
The poet would not select Maria as his ideal of female loveliness; and
yet there is a touching modesty in her demeanor, a sweet smile ever
playing over her countenance, an artlessness in her conversation that
more than makes up for the want of those charms novel writers are
pleased to call transcendent. "Father!" she says, pausing, "some one
knocks at the outer door." The old man starts and listens, then hastens
to open it. There stands before him the figure of a strange female,
veiled. "I am glad to find you, old man. Be not suspicious of my coming
at this hour, for my mission is a strange one." The old man's crooked
eyes flash, his deep curling lip quivers, his hand vibrates the candle
he holds before him. "If on a mission to do nobody harm," he responds,
"then you are welcome." "You will pardon me; I have seen you before. You
have wished me well," she whispers in a musical voice. Gracefully she
raises her veil over her Spanish hood, and advances cautiously, as the
old man closes the door behind her. Then she uncovers her head,
nervously. The white, jewelled fingers of her right hand, so delicate
and tapering, wander over and smooth her silky black hair, that falls in
waves over her Ion-like brow. How exquisite those features just
revealed; how full of soul those flashing black eyes; her dress, how
chaste! "They call me Anna Bonard," she speaks, timorously, "you may
know me?--"
"Oh, I know you well," interrupts the old man, "your beauty has made you
known. What more would you have?"
"Something that will make me happy. Old man, I am unhappy. Tell me, if
you have the power, who I am. Am I an orphan, as has been told me; or
have I parents yet living, affluent, and high in society? Do they seek
me and cannot find me? Oh! let the fates speak, old man, for this world
has given me nothing but pain and shame. Am I--" she pauses, her eyes
wander to the floor, her cheeks crimson, she seizes the old man by the
hand, and her bosom heaves as if a fierce passion had just been kindled
within it.
Public-domain text, read in full here on John Shaqi.
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