An Outcast; Or, Virtue and FaithAdams, F. Colburn (Francis Colburn)
General
An Outcast; Or, Virtue and Faith
Adams, F. Colburn (Francis Colburn)
Conduct of life -- Fiction; United States -- Social life and customs -- 19th century -- Fiction; Vice -- Fiction
"Poor creature," interrupts Madame Montford, for it is she whom Mr.
Snivel addresses. "If she be dead--oh, dear! That will be the end. I
never shall know what became of that child. And to die ignorant of its
fate will--" Madame pauses, her color changes, she seems seized with
some violent emotion. Mr. Snivel perceives her agitation, and begs she
will remain calm. "If that child had been my own," she resumes, "the
responsibility had not weighed heavier on my conscience. Wealth,
position, the pleasures of society--all sink into insignificance when
compared with my anxiety for the fate of that child. It is like an arrow
piercing my heart, like a phantom haunting me in my dreams, like an
evil spirit waking me at night to tell me I shall die an unhappy woman
for having neglected one I was bound by the commands of God to
protect--to save, perhaps, from a life of shame." She lets fall the
satin folds of her dress, buries her face in her hands, and gives vent
to her tears in loud sobs. Mr. Snivel contemplates her agitation with
unmoved muscle. To him it is a true index to the sequel. "If you will
pardon me, Madame," he continues, "as I was about to say of this
miserable shoemaker, he took to drink, as all our white mechanics do,
and then used to abuse her. We don't think anything of these people, you
see, who after giving themselves up to whiskey, die in the poor house, a
terrible death. This shoemaker, of whom I speak, died, and she was
turned into the streets by her landlord, and that sent her to living
with a 'yellow fellow,' as we call them. Soon after this she died--so
report has it. We never know much, you see, about these common people.
They are a sort of trash we can make nothing of, and they get terribly
low now and then." Madame Montford's swelling breast heaves, her
countenance wears an air of melancholy; again she nervously lays aside
the cloud-like skirts of her brocade dress. "Have you not," she
inquires, fretting her jewelled fingers and displaying the massive gold
bracelets that clasp her wrists, "some stronger evidence of her death?"
Mr. Snivel says he has none but what he gathered from the negroes and
poor mechanics, who live in the by-lanes of the city. There is little
dependence, however, to be placed in such reports. Madame, with an air
of composure, rises from her chair, and paces twice or thrice across the
room, seemingly in deep study. "Something," she speaks, stopping
suddenly in one of her sallies--"something (I do not know what it is)
tells me she yet lives: that this is the child we see, living an
abandoned life."
Public-domain text, read in full here on John Shaqi.
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