An Outcast; Or, Virtue and FaithAdams, F. Colburn (Francis Colburn)
General
An Outcast; Or, Virtue and Faith
Adams, F. Colburn (Francis Colburn)
Conduct of life -- Fiction; United States -- Social life and customs -- 19th century -- Fiction; Vice -- Fiction
Costly chairs, of various styles carved in black walnut, stand around
the chamber: lounges covered with chastely-designed tapestry are seen
half concealed by the gorgeous window curtains. The foot falls upon a
soft, Turkey carpet; the ceiling--in French white, and gilt
mouldings--is set off with two Cupids in a circle, frescoed by a skilled
hand. On a lounge, concealed in an alcove masked by curtains pending
from the hands of a fairy in bronze, and nearly opposite Anna's bed, the
old Judge sleeps in his judicial dignity. To-day he sentenced three
rogues to the whipping-post, and two wretched negroes--one for raising
his hand to a white man--to the gallows.
Calmly Anna continues to sleep, the lights in the girandoles shedding a
mysterious paleness over the scene. To the eye that scans only the
exterior of life, how dazzling! Like a refulgent cloud swelling golden
in the evening sky, how soon it passes away into darkness and
disappointment! Suddenly there appears, like a vision in the chamber,
the stately figure of a female. Advancing slowly to the bed-side, for a
minute she stands contemplating the sleeping beauty before her. A dark,
languishing eye, an aquiline nose, beautifully-cut mouth, and a
finely-oval face, is revealed by the shadow in which she stands. "How
willingly," she mutters, raising the jewelled fingers of her right hand
to her lips, as her eyes become liquid with emotion, and her every
action betokens one whose very soul is goaded with remorse, "would I
exchange all these worldly pleasures for one single day in peace of
mind." She lays aside her mantle, and keeps her eyes fixed upon the
object before her. A finely-rounded shoulder and exactly-developed bust
is set off with a light satin bodice or corsage, cut low, opening
shawl-fashion at the breast, and relieved with a stomacher of fine
Brussels lace. Down the edges are rows of small, unpolished pearls,
running into points. A skirt of orange-colored brocade, trimmed with
tulle, and surrounded with three flounces, falls, cloud-like, from her
girdle, which is set with cameos and unpolished pearls. With her left
hand she raises slightly her skirts, revealing the embroidered gimps of
a white taffeta underskirt, flashing in the moonlight. Small, unpolished
pearls ornament the bands of her short sleeves; on her fingers are
rings, set with diamonds and costly emeralds; and her wrists are clasped
with bracelets of diamonds, shedding a modest lustre over her
marble-like arms.
"Can this be my child? Has this crime that so like a demon haunts
me--that curses me even in my dreams, driven her, perhaps against her
will, to seek this life of shame?" She takes the sleeper's hand gently
in her own, as the tears gush down her cheeks.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account