An Outcast; Or, Virtue and FaithAdams, F. Colburn (Francis Colburn)
General
An Outcast; Or, Virtue and Faith
Adams, F. Colburn (Francis Colburn)
Conduct of life -- Fiction; United States -- Social life and customs -- 19th century -- Fiction; Vice -- Fiction
On reaching the door she finds the house turned into a bivouac of
revelry; her own chamber is invaded, and young men and women are making
night jubilant over Champagne and cigars. Mr. Keepum and the Hon. Mr.
Snivel are prominent among the carousers; and both are hectic of
dissipation. Shall she flee back to the prison? Shall she go cast
herself at the mercy of the keeper? As she is about following the
thought with the act, she is seized rudely by the arms, dragged into the
scene of carousal, and made the object of coarse jokes. One insists that
she must come forward and drink; another holds an effervescing glass to
her lips; a third says he regards her modesty out of place, and demands
that she drown it with mellowing drinks. The almost helpless girl
shrieks, and struggles to free herself from the grasp of her enemies.
Mr. Snivel, thinking it highly improper that such cries go free,
catches her in his arms, and places his hand over her mouth. "Caught
among queer birds at last," he says, throwing an insidious wink at
Keepum. "Will flock together, eh?"
As if suddenly invested with herculean strength, Maria hurls the ruffian
from her, and lays him prostrate on the floor. In his fall the table is
overset, and bottles, decanters and sundry cut glass accompaniments, are
spread in a confused mass on the floor. Suddenly Mr. Keepum extinguishes
the lights. This is the signal for a scene of uproar and confusion we
leave the reader to picture in his imagination. The cry of "murder" is
followed quickly by the cry of "watch, watch!" and when the guardmen
appear, which they are not long in doing, it is seen that the very
chivalric gentlemen have taken themselves off--left, as a prey for the
guard, only Maria and three frail females.
Cries, entreaties, and explanations, are all useless with such men as
our guard is composed of. Her clothes are torn, and she is found rioting
in disreputable company. The sergeant of the guard says, "Being thus
disagreeably caught, she must abide the penalty. It may teach you how to
model your morals," he adds; and straightway, at midnight, she is
dragged to the guard-house, and in spite of her entreaties, locked up in
a cell with the outcast women. "Will you not hear me? will you not allow
an innocent woman to speak in her own behalf? Do, I beg, I beseech, I
implore you--listen but for a minute--render me justice, and save me
from this last step of shame and disgrace," she appeals to the sergeant,
as the cell door closes upon her.
Mr. Sergeant Stubble, for such is his name, shakes his head in doubt.
"Always just so," he says, with a shrug of the shoulders: "every one's
innocent what comes here 'specially women of your sort. The worst
rioters 'come the greatest sentimentalists, and repents most when they
gets locked up--does! You'll find it a righteous place for reflection,
in there." Mr. Sergeant Stubble shuts the door, and smothers her cries.
CHAPTER XLVI.
GAINING STRENGTH FROM PERSECUTION.
Public-domain text, read in full here on John Shaqi.
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