An outline of humor: Being a true chronicle from prehistoric ages to the twentieth century
History
An outline of humor: Being a true chronicle from prehistoric ages to the twentieth century
Wit and humor
Each running at the other in a fright,
Each trying to get before the other, and crying.
And flying, and stumbling, tumbling, wrong or right;--
One sets her knee
There where her foot should be;
One has her hands and dress
All smother’d up with mud in a fine mess;
And one gets trampled on by two or three.
What’s gathered is let fall
About the wood, and not pick’d up at all.
The wreaths of flowers are scatter’d on the ground,
And still as, screaming, hustling, without rest,
They run this way and that and round and round,
She thinks herself in luck who runs the best.
I stood quite still to have a perfect view,
And never noticed till I got wet through.
--_Translated by Rossetti._
This brings us to Benvenuto Cellini, who, though not classed among the
humorists, gives us many flashes of wit and humor in his celebrated
Biography.
_A COMPULSORY MARRIAGE AT SWORD’S POINT_
One of those busy personages who delight in spreading mischief came to
inform me that Paolo Micceri had taken a house for his new lady and her
mother, and that he made use of the most injurious and contemptuous
expressions regarding me, to wit:
“Poor Benvenuto! he paid the piper while I danced; and now he goes
about boasting of the exploit. He thinks I am afraid of him--I, who can
wear a sword and dagger as well as he. But I would have him to know my
weapons are as keen as his. I, too, am a Florentine, and come of the
Micceri, a much better house than the Cellini any time of day.”
In short, the vile informer painted the things in such colors to my
disadvantage that it fired my whole blood. I was in a fever of the most
dangerous kind. And feeling it must kill me unless it found vent, I had
recourse to my usual means on such occasions. I called to my workman,
Chioccia, to accompany me, and told another to follow me with my horse.
On reaching the wretch’s house, finding the door half open, I entered
abruptly in. There he sat with his precious “lady-love,” his boasted
sword and dagger beside him, in the very act of jesting with the elder
woman upon my affairs. To slam the door, draw my sword and present the
point to his throat, was the work of a moment, giving him no time to
think of defending himself:
“Vile poltroon, recommend thy soul to God! Thou art a dead man!”
In the excess of his terror he cried out thrice, in a feeble voice,
“Mama! mama! mama! Help, help, help!”
Public-domain text, read in full here on John Shaqi.
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