An outline of humor: Being a true chronicle from prehistoric ages to the twentieth century — John Shaqi
An outline of humor: Being a true chronicle from prehistoric ages to the twentieth century
History
An outline of humor: Being a true chronicle from prehistoric ages to the twentieth century
Wit and humor
His observations on laughter, hereinbefore referred to, must be quoted
entire.
FROM HUMAN NATURE
_LAUGHTER_
There is a passion that hath no name; but the sign of it is that
distortion of the countenance which we call laughter, which is always
joy: but what joy, what we think, and wherein we triumph when we laugh,
is not hitherto declared by any. That it consisteth in wit, or, as they
call it, in the jest, experience confuteth; for men laugh at mischances
and indecencies, wherein there lieth no wit nor jest at all. And
forasmuch as the same thing is no more ridiculous when it groweth stale
or usual, whatsoever it be that moveth laughter, it must be new and
unexpected. Men laugh often--especially such as are greedy of applause
from everything they do well--at their own actions performed never so
little beyond their own expectations as also at their own jests: and
in this case it is manifest that the passion of laughter proceedeth
from a sudden conception of some ability in himself that laugheth.
Also, men laugh at the infirmities of others by comparison wherewith
their own abilities are set off and illustrated. Also men laugh at
jests the wit whereof always consisteth in the elegant discovering and
conveying to our minds some absurdity of another; and in this case also
the passion of laughter proceedeth from the sudden imagination of our
own odds and eminency; for what is else the recommending of ourselves
to our own good opinion, by comparison with another man’s infirmity or
absurdity? For when a jest is broken upon ourselves, or friends, of
whose dishonour we participate, we never laugh thereat. I may therefore
conclude that the passion of laughter is nothing else but sudden glory
arising from a sudden conception of some eminency in ourselves, by
comparison with the infirmity of others, or with our own formerly; for
men laugh at the follies of themselves past, when they come suddenly
to remembrance, except they bring with them any present dishonour.
It is no wonder, therefore, that men take heinously to be laughed at
or derided--that is, triumphed over. Laughing without offence must be
at absurdities and infirmities abstracted from persons, and when all
the company may laugh together; for laughing to one’s self putteth all
the rest into jealousy and examination of themselves. Besides, it is
vain-glory, and an argument of little worth, to think the infirmity of
another sufficient matter for his triumph.
* * * * *
Robert Herrick, among the most exquisite of lyric poets, was a
classical scholar, addicted to Martial. His works, neglected for long
years, came into their own about a century ago, and his spontaneous
gayety and tenderness is not frequently equalled.
The temptation is to quote his lyrics, but his whimsical humor is more
clearly shown in his waggish lines.
_THE KISS--A DIALOGUE_
Public-domain text, read in full here on John Shaqi.
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