It is not without significance that this symbol has been introduced, not
merely as an awakening percept, but because it has been constructed out of
certain perceptions concerning plants and man. For the effect of such a
symbol depends upon the fact of its being put together in this definite
manner, before employing it as an instrument for meditation. Should it be
called up without a previous process of construction such as has here been
delineated, the picture must remain cold and will be far less effective
than if it had by previous preparation gathered force with which to give
warmth to the soul. During meditation, however, one should not call up in
the soul all the preparatory thoughts, but merely allow the life-like
image to float before one’s mind and at the same time permit those
feelings which are the result of these preparatory thoughts to vibrate
with it. Thus the symbol becomes a sign, co-existent with the inner
experience. And it is the dwelling of the soul in this experience that is
the active principle. The longer one can do this, without admitting
disturbing impressions, the more effective will be the whole process.
It is well, however, in addition to the time used in meditation itself, to
repeat the building up of the image through the feelings, as described
above, so that the corresponding sensation may not pale.
The greater the patience brought to bear in performing these acts of
repetition, the more effective becomes this image for the soul.(27)
Such a symbol as has just been described represents no external object or
being evolved by nature, but for this very reason it possesses an
awakening power for certain inner faculties. It is true, someone may raise
the objection: certainly the “whole” as a symbol, does not exist in
nature; yet all its details are borrowed from nature, the black color, the
roses, etc. It can all be observed through the senses. He who is troubled
by such objections, ought to consider that it is not the images of these
sense perceptions that awaken the higher faculties of the soul, but that
this result is produced purely by the manner in which these details are
combined. And this combination does not then picture something that exists
in the sense-world.
A symbol was chosen as an example to show the process of effective
meditation of the soul. Many symbols of this kind are used in occult
training and are built up according to varying methods. Certain sentences,
formulæ, and single words can also be given as subjects for meditations,
and in every case the means used will have the same object, namely: to
detach the soul from sense-impressions and to stimulate it to an activity
in which the impressions of the physical senses play no longer any part
and in which the unfoldment of inner latent soul capacities becomes the
essential.
Public-domain text, read in full here on John Shaqi.
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