The extraordinary subtlety of the psychology of this study lies, as well as in other things, in the way in which we feel that Olga is not really happy with her excellent husband; he is the man whom she respects; but Oblomov is the man whom she loves, till the end; and she would give worlds to respect him too if he would only give her the chance. Oblomov often defends his stagnation, while realizing only too well what a misfortune it is; and we sometimes feel that he is not altogether wrong. The chapter that tells of his dream in which his past life and childhood arise before him in a haze of serene laziness is one of the masterpieces of Russian prose. The book is terribly real, and almost intolerably sad. Goncharov's third and last novel deals with the life of a landed proprietor on the Volga, and its main idea is the contrast between the old generation before the reforms and the new generation of Alexander II's day--a paler _Fathers and Sons_. To go back to criticism, the name of BAKUNIN, the apostle of destruction and the incarnation of Russian Nihilism, belongs to history; that of GRIGORIEV must be mentioned as founding a school of thought which preached the union of arts with the national soil; he exercised a strong influence over Dostoyevsky. KATKOV, whose influence was at one time immense, originally belonged to the circle of Herzen and Bakunin; he became a professor of philosophy, but was driven from his chair in the reaction of '48, and, being banished from erudition, he took up a journalistic career and became the Editor of the _Moscow News_. He was a Slavophile, and when the rising in Poland broke out, he headed the great wave of nationalist feeling which passed over the country at that time; he doubled the number of his subscribers, and dealt a death-blow to Herzen's _Bell_. After 1866, he headed reactionary journalism and became a Nationalist of the narrowest kind; but he was of a higher calibre than the Nationalists of later days. Slavophile critics of another kind were STRAKHOV and DANILEVSKY, like Dostoyevsky, disciples of Grigoriev, who preached the last word of Slavophilism and were opposed to all foreign innovations.