Katrine looked around eagerly. A group of Europeans had already
gathered round the hydrant, some of whom she recognised as passengers on
her own boat; the others were strangers, for whom at the moment she had
no attention to spare. An Arab woman was holding to the tap a crumpled
mass of skin, into which the water was gradually falling. Even as she
watched, the folded mass swelled and wriggled in life-like contortions.
The crowd broke into laughter; the Arab woman, expectant of backsheesh,
responded with a gleaming smile. Katrine danced on her toes like an
excited child.
"What is it? What is it? A pig-skin? A calf-skin? A sloper? It's
_just_ like a dying sloper! What can it be?"
Suddenly from out the sausage-like round shot a leg, kicking, as it
were, into space; a second leg, more legs, a tail--then the Arab woman
gave an adroit twist to the balloon, and a final shriek of laughter from
the crowd greeted the cocking of frisky ears, above the life-like head!
The sight was so irresistibly comic, that even Vernon Keith was
surprised into a smile, which broadened at sight of Katrine's childlike
delight. The clear treble of her laughter, the involuntary dance of her
eager feet, the beauty of the sparkling face, made her indeed the
cynosure of every eye. Fellow-passengers smiled at her with a
kindliness which had in it an element of remorse. "The girl who walked
about with that horrible man"--appeared suddenly in a different light,--
not an adventuress after all, but a girl whose experience of life was
behind her years, a child at heart who meant no harm. The strangers
whispered among themselves, and speculated as to her relationship with
the man and woman by her side.
The Arab woman shouldered her burden and walked away, enriched by
several voluntary offerings, and the object of interest being removed,
Katrine became embarrassingly conscious of the general scrutiny. She
cast a rapid glance around the group, skimming quickly from one face to
another, until suddenly, startlingly, she found herself held by the gaze
of a pair of eyes, a man's eyes, steely grey, with a curious effect of
lightness against the deep tan of the skin. There was something in
those eyes, a magnetism, an intentness, which gripped Katrine with a
force amounting to positive pain. Each of us in his turn has had such
an experience, but it is all too rare, for the eyes of our
fellow-creatures, so far from being windows of the soul, are as a rule
little more illuminating than any other feature. Tired eyes, shallow
eyes, blank, expressionless eyes, one encounters them at every turn, but
only at rare and memorable intervals eyes alive, magnetic, which not
only look straight from the heart of their owner, but like a searchlight
pierce straight to one's own. When this experience comes, it forges a
link which neither time nor distance can break. Two souls have met, and
mutely acclaimed their kinship.
Public-domain text, read in full here on John Shaqi.
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