Katrine bent over the pieces, turning them right side up with rapid
fingers. She saw a mass of dull grey green, a second of baffling white
and grey, a third of a pronounced white, and dotted among them welcome
patches of blue and red.
"Colour, please!" she cried quickly. "Let's dash for the colours, and
trust to luck for the rest."
"Right ho!" he said, sweeping the pieces towards him. Katrine had an
intuition that he approved of her choice, but he made no comment, and
together they bent over the detached fragments of blue and red, which
appeared at this stage so dishearteningly alike. Katrine was utterly at
sea, but Bedford's greater experience soon scented a clew.
"The blue is sky, which goes on top; the light beggars are clouds.
Here's a quaint hunchback little chap. Look out for a scoop for him as
a start."
"Here's a scoop!" cried Katrine, picking out another fragment, and
wonder of wonders! it fitted,--absolutely, unmistakably fitted into
every curve, so that there could be no doubt as to its right to be
there. To fit a piece at the very first effort,--here was success
indeed! Bedford cheered, Katrine hitched her chair nearer the table,
rubbing her hands with an altogether ridiculous sense of elation. "How
fine! _And_ easy! Much easier than I imagined. Where's the next?"
"The next is probably at the bottom of the Indian Ocean, or will pretend
to be, until we've exhausted ourselves looking for it, and have gone on
to something else, when it will jump out and, figuratively speaking, hit
us in the face. It's a way they have. What about this person?"
"Certainly not; you want a jagged edge. Nor that, it's too square. I'm
afraid you have not much eye for contour!"
"Nor you for colour! That shade's too light... Here's a fellow like a
button-hook. Where's his button? I knew an old maid who used to try
each blessed bit in turn, until she'd gone through the whole fandango.
If it shows a well-regulated mind to work at the rim, what does _that_
mean in the way of perseverance?"
Katrine's quest for the button was disturbed by the reflection that she
had evidently proved herself devoid of a well-regulated mind. Regarded
as a test of character, her "dash for the colours" would seem to prove a
predisposition towards impulse and daring, the last qualities of which
she was usually accused. Friends at home had agreed in pronouncing
Katrine Beverley all that was prudent and cautious, and she herself had
agreed in their verdict, yet surely those qualities had been upon the
surface only, since it was this very prudent and cautious maid who had
exchanged love letters with an unknown man--who was even now on her way
across the world to meet him!
"I think," said a small voice suddenly, "the other way is better after
all. I think, if you don't mind, I'll try the frame!"
Public-domain text, read in full here on John Shaqi.
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