Anahuac : or, Mexico and the Mexicans, Ancient and ModernTylor, Edward B. (Edward Burnett)
History
Anahuac : or, Mexico and the Mexicans, Ancient and Modern
Tylor, Edward B. (Edward Burnett)
Mexico -- Antiquities; Mexico -- Description and travel
We were just getting into a drowsy state, when an unusual bustle among
the crew brought us out of our den, and we found that three hours of
assiduous poling had taken us half-way across the lake, just six
miles—a good test of the value of the Aztec system of navigation. Here
was a wooden cross set up in the water; and here, from time out of
mind, the boatmen have been used to sing a little hymn to the Madonna,
by whose favour we had got so far, and hoped to get safe to the end of
our voyage. Very well they sang it too, and the scene was as striking
as it was unexpected to us. It seemed to us, however, to be making a
great matter of crossing a piece of water only a few feet deep; but Mr.
Millard assured us, that when a sudden gale came on, it was a
particularly unpleasant place to be afloat in a Mexican canoe, which,
being flat-bottomed, has no hold at all on the water, and from its
shape is quite unmanageable in a wind. He himself was once caught in
this way, and kept out all night, with a “heavy sea” on the lake, the
boat drifting helplessly, and threatening to overturn every moment, and
that in places where the water was quite deep enough to drown them all.
The Indians lost their heads entirely, and throwing down their poles
fell on their knees, and joined in the chorus with the women and
children and the rest of the helpless brown people, beating their
breasts, and presenting medals and prints of our Lady of Guadalupe to
each wave as it dashed into them. The wind dropped, however, and Mr.
Millard got safe to Tezcuco next morning; but, instead of receiving
sympathy for his misfortunes when he got there, found that the idea of
a tempest on the lake was reckoned a mere joke, and that the
drawing-room of the Casa Grande had been decorated with a fancy
portrait of himself, hanging to the half-way cross, with his legs in
the water, and underneath, a poetical description of his sufferings to
the tune of “_Malbrouke s’en va-t-en guerre, ne sais quand reviendra_.”
Public-domain text, read in full here on John Shaqi.
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