Does a husband, irritated beyond all measure, at last express his
wishes to them? They regard him with an air of submission, bow their
heads and keep silence. This pantomime almost always puts a husband to
rout. In conjugal struggles of this kind, a man prefers a woman should
speak and defend herself, for then he may show elation or annoyance;
but as for these women, not a word. Their silence distresses you and
you experience a sort of remorse, like the murderer who, when he finds
his victim offers no resistance, trembles with redoubled fear. He would
prefer to slay him in self-defence. You return to the subject. As you
draw near, your wife wipes away her tears and hides her handkerchief,
so as to let you see that she has been weeping. You are melted, you
implore your little Caroline to speak, your sensibility has been
touched and you forget everything; then she sobs while she speaks, and
speaks while she sobs. This is a sort of machine eloquence; she deafens
you with her tears, with her words which come jerked out in confusion;
it is the clapper and torrent of a mill.
French women and especially Parisians possess in a marvelous degree the
secret by which such scenes are enacted, and to these scenes their
voices, their sex, their toilet, their manner give a wonderful charm.
How often do the tears upon the cheeks of these adorable actresses give
way to a piquant smile, when they see their husbands hasten to break
the silk lace, the weak fastening of their corsets, or to restore the
comb which holds together the tresses of their hair and the bunch of
golden ringlets always on the point of falling down?
But how all these tricks of modernity pale before the genius of
antiquity, before nervous attacks which are violent, before the Pyrrhic
dance of married life! Oh! how many hopes for a lover are there in the
vivacity of those convulsive movements, in the fire of those glances,
in the strength of those limbs, beautiful even in contortion! It is
then that a woman is carried away like an impetuous wind, darts forth
like the flames of a conflagration, exhibits a movement like a billow
which glides over the white pebbles. She is overcome with excess of
love, she sees the future, she is the seer who prophesies, but above
all, she sees the present moment and tramples on her husband, and
impresses him with a sort of terror.
The sight of his wife flinging off vigorous men as if they were so many
feathers, is often enough to deter a man from ever striving to wrong
her. He will be like the child who, having pulled the trigger of some
terrific engine, has ever afterwards an incredible respect for the
smallest spring. I have known a man, gentle and amiable in his ways,
whose eyes were fixed upon those of his wife, exactly as if he had been
put into a lion’s cage, and some one had said to him that he must not
irritate the beast, if he would escape with his life.
Public-domain text, read in full here on John Shaqi.
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