Caroline addresses Adolphe’s cousin, a young man with a nice cravat,
glistening hair and patent leather boots: his coat is cut in the most
elegant fashion: he has a crush hat, kid gloves, something very choice
in the way of a waistcoat, the very best style of moustaches, whiskers,
and a goatee a la Mazarin; he is also endowed with a profound, mute,
attentive admiration of Caroline.
FERDINAND. Adolphe is happy to have a wife like you! What does he want?
Nothing.
THE WIFE. In the beginning, we were always vexing each other: but now
we get along marvelously. Adolphe no longer does anything but what he
likes, he never puts himself out: I never ask him where he is going nor
what he has seen. Indulgence, my dear, is the great secret of
happiness. You, doubtless, are still in the period of petty troubles,
causeless jealousies, cross-purposes, and all sorts of little
botherations. What is the good of all this? We women have but a short
life, at the best. How much? Ten good years! Why should we fill them
with vexation? I was like you. But, one fine morning, I made the
acquaintance of Madame de Fischtaminel, a charming woman, who taught me
how to make a husband happy. Since then, Adolphe has changed radically;
he has become perfectly delightful. He is the first to say to me, with
anxiety, with alarm, even, when I am going to the theatre, and he and I
are still alone at seven o’clock: “Ferdinand is coming for you, isn’t
he?” Doesn’t he, Ferdinand?
FERDINAND. We are the best cousins in the world.
THE INDIAN SUMMER WIFE, _very much affected_. Shall I ever come to
that?
Public-domain text, read in full here on John Shaqi.
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