Ancestors: A NovelAtherton, Gertrude Franklin Horn
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Ancestors: A Novel
Atherton, Gertrude Franklin Horn
British -- United States -- Fiction; California -- Fiction; England -- Fiction; Love stories; Political fiction
A woman of growing wealth, who affected artists' society, had continued
to live in her pretty odd little house, but had recently done it up like
a stuffed and scented jeweller's box. The tiny salon was her pride. It
was all cherry satin and white lace, the furniture lilliputian, to match
the proportions of the room and the lady. She was large-eyed,
dark-haired, pretty, and the room set her off admirably. It was here
that she invariably received her artist friends, and felt herself at
last set in a definite niche, in the city of individualities. One day,
in a spasm of generosity, she bade Stone, calling in a mood of unusual
depression, to paint it, and sell for his own benefit what, at least,
should be a glowing bit of still life. Stone began his work next day,
meaning, when the seductive interior was finished, to induce his patron
to sit on the doll-like sofa for a portrait, irresistible alike to her
vanity and pocket. But she capriciously went off to New York for
clothes, and he exhibited the picture in the shop of a dealer where
buyers were not infrequent. Thence, indeed, in the course of a few days
went a wealthy broker whose sign was three balls. He liked the picture,
but bargained that himself should sit on the sofa. His offer was
generous. Stone, to do him justice, demurred, for all Bohemia, at least,
knew the room. But Mrs. Paula wept at the thought of the lost hundreds,
and he succumbed. The result, at the owner's insistence, was exhibited.
The lady returned as unexpectedly as she had flown, and was asked at
every step if she had "seen her room." Scenting mystery, she went
to the gallery; and stood petrified before the faithful presentment
of her cherry-colored satin boudoir, the very edge of the sofa
accommodating a large gentleman with an eminent nose, a bulging
shirt-front--diamond-studded--and knees long severed. He looked like a
Hebraic Gulliver in Lilliput, and the unities were in tatters. She
stared, stuttered, wept. And then she descended upon Stone.
Gwynne laughed heartily as Isabel related the episode, but they fell
into silence after they crossed the bridge and were able to accelerate
their pace. He made no effort to break it, although Isabel had never
found him more polite. She also thought him vastly improved with his
thick coat of tan, and almost picturesque in his khaki riding-clothes
and high boots. There were more subtle changes in him which it was too
warm and dusty to speculate upon at the moment.
Public-domain text, read in full here on John Shaqi.
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