"I saw him first in the Englischergarten. You remember it, that wonderful imitation of a great stretch of open country, with fields where they make hay, and bits of wild woods, and crooked pathways, and bridges over a branch of the Isar, greenest and loveliest of rivers. And then the little beer-gardens, where the people are always sitting and listening to the band--and beyond the tree-tops, the spires and domes of the beautiful city. "I was standing by the lake watching the swans when he rode by, and I am bound to say that he made no great impression. I hardly should have noticed him had it not been for his excessively English appearance, and a certain piercing quality in the glance with which he favored me. I should never have given him another thought, but a week later I met him formally. It came about oddly enough. "That evening in looking through my trunk for a business paper I came upon a letter of introduction given me by a friend I had made in Italy. It was to a Baroness L., of Munich. I had quite forgotten it, and the sight of it inspired me with no desire for the social curiosities. I was infatuated with Munich, and its exteriors satisfied me. It has a large courteous grandly-hospitable air, as if it were the private property of a king, to which, however, all strangers are royally welcome. It is the ideal king's city: life but no bustle; neither business, as we understand the word, nor poverty; a city of infinite leisure and infinite interest, a superb living picture-book, where one is ever amused, interested, both stimulated and soothed. I had been in it three weeks and had almost made up my mind to live there, and dream away the rest of my life. Knote and Morena, Feinhals and Bender were singing at the Hof Theatre. Mottl was conducting. Lili Marberg's Salome was something to be seen again and again. You forgot the play itself. And Bardou-Mueller's Mrs. Alving! I did not sleep for two nights.