Gwynne smiled with a pardonable cynicism; but while he was not unwilling the conversation should turn upon himself, his curiosity was not satisfied. The fog had gone and the moon had risen. He could see Isabel quite plainly. She had turned her head and was gazing out over the great expanse desolated by the moonlight, and he studied her profile for the first time, often as he had observed it. To-night with the moonlight on it and against the dark hills it was almost repellently unmodern in its sharply cut regularity, the classic modelling of the eye-socket and chin, the nose with its slight arch. Her hair had fallen from its pins and hung in a braid, its length concealed by her position, and making the effect of a queue. She had long since taken off her hat and wrapped its veil about her head. The veil had slipped and might easily have been mistaken for a ribbon confining the queue at the base of the head. For an instant Gwynne's senses swam. He recalled the portraits of their Revolutionary ancestors in the house on Russian Hill. It might have been a medallion suspended before him. He drew in his breath; then his eye fell to the short thin sensitive upper lip, rarely quiet for all her extraordinary repose; to the full enticing under lip, and the little black moles. Then his gaze wandered down to the rough shooting-jacket, to the rubber boots reaching to her waist, and he only restrained himself from laughing aloud because he feared to rush down the curtain before that secretive nature. "Then you have no faith in love as the best thing in the world?" he asked.