confessed, that there are talents and qualities possessed only by the exclusion of some others. Among mankind some are filled with the love of glory, and are not susceptible of any other of the passions: some may excel in natural philosophy, civil law, geometry, and, in short, in all the sciences that consist in the comparison of ideas. A fondness for any other study can only distract or precipitate them into errors. There are other men susceptible not Only of the love of glory, but an infinite number of other passions: these may become celebrated in different kinds of study, where the success depends on being moved. Such is, for instance, the dramatic kind of writing: but, in order to paint the passions, we must, as I have already said, feel them very warmly: we are ignorant both of the language of the passions and of the sensations they excite in us, when we have not experienced them. Thus ignorance of this kind always produces mediocrity. If Fontenelle had been obliged to paint the characters of Rhadamistus, Brutus, or Cataline, that great man would certainly have fallen much below mediocrity.... Let a man, for instance, like M. de Fontenelle, contemplate, without severity, the wickedness of mankind; let him consider it, let him rise up against crimes without hating the criminals, and people will applaud his moderation; and yet, at the same instant, they will accuse him of being too lukewarm in friendship. They do not perceive, that the same absence of the passions, to which he owes the moderation they commend, must necessarily render him less sensible of the charms of friendship." The "abuse of words" by different schools of philosophers is thus ably pointed out:--