Ancient Armour and Weapons in Europe: From the Iron Period of the Northern Nations to the End of the Thirteenth CenturyHewitt, John
History
Ancient Armour and Weapons in Europe: From the Iron Period of the Northern Nations to the End of the Thirteenth Century
Hewitt, John
Armor; Weapons
In Roy. MS. 20, D. i., of about the close of this century, the wooden
Tower occurs in several of the miniatures. It is constructed in the
manner of a scaffolding, having at the top an open platform filled
with archers: its height, that of the city walls, close to which it
is placed. Examples will be found on folios 305, 306 and 317. The
besieged, when they were able to discover the point to which the
assaulting tower was to be moved, loosened the soil in that spot
by digging; so that, when the ponderous machine arrived, it was
overturned by its fore-wheels sinking into the soft earth[416]. The
_Chat-Chastel_ combined the _beffroi_ and the _cattus_.
But the best account that can be offered of the Siege operations of
this time, is furnished by a cotemporary writer, the Seneschal of
Carcassone; himself the commander of the defending forces. This very
curious document is preserved in the Archives of France, and has been
published in the _Bibliothèque de l'École des Chartes_, vol. vii.
p. 363. Carcassone was besieged in the autumn of 1240 by the son
of the Vicomte de Béziers; and the defender of the city, Guillaume
des Ormes, sends to Queen Blanche, regent of the kingdom during
the absence of Saint Louis, an exact account of the proceedings.
Carcassone was surrounded with a double wall, furnished as usual with
towers, and having several barbicans in advance of its various gates.
The object of the Barbican was to afford the besieged the means of a
flanking attack: it was formed something like a street, with a wall
on each side, terminating in a kind of open tower: and it thus became
necessary that the enemy should act in the first instance against
this outwork; for, by assaulting the curtain, they would be exposed
to a flank attack from the barbican, and might also be assailed in
the rear by sorties from the head of the work.
"To his most excellent and highly illustrious mistress, Blanche, by
the grace of God, Queen of the French, William des Ormes, Seneschal
of Carcassone, her humble and devoted servant, greeting and faithful
service.
Public-domain text, read in full here on John Shaqi.
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