Ancient art of the province of Chiriqui, Colombia: Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1884-1885, Government Printing Office, Washington, 1888, pages 3-188Holmes, William Henry
History
Ancient art of the province of Chiriqui, Colombia: Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1884-1885, Government Printing Office, Washington, 1888, pages 3-188
Holmes, William Henry
Chiriquí (Panama : Province) -- Antiquities; Indian pottery -- Panama; Indians of Central America -- Panama
As primitive peoples advance in culture and the various branches of art
are differentiated, each of the materials employed is made to fill a
wider and wider sphere of usefulness. Clay, applied at first to vessel
making and used perhaps as an auxiliary in a number of arts in which it
took no definite or individual shapes, gradually extended its dominion
until almost every art was in a measure dependent upon it or in some way
utilized it. The extent of this expansion of availability is in a
general way a measure of the advancement of the races concerned. The
Chiriquians employed clay in the construction of textile machinery, as
shown by the occurrence of spindle whorls, and a number of small
receptacles, probably needlecases, are constructed of that material. It
was employed in the manufacture of stools, statuettes, drums, rattles,
and whistles. With less cultured races, such as the Pueblo and mound
builders of the north, such articles were rarely manufactured, while
with the more cultured nations of Mexico and Peru a wider field was
covered and the work was considerably superior.
SPINDLE WHORLS.
The art of weaving was carried to a high degree of perfection by many of
the American races, but the processes employed were of the simplest
kind. The threads were spun upon wooden spindles weighted with whorls of
baked clay. These whorls are not plentiful in the graves of Chiriqui,
but such as have been collected are quite similar in style to those of
Mexico and Peru. In Figs. 218, 219, and 220 we have three examples
modeled with considerable attention to detail but comparatively rude in
finish. They are in the natural color of the baked clay and are but
rudely polished. The first is encircled by a line of rough, indented
nodes, the second is embellished with homely little animal figures, and
the third with incised patterns and rude incisions.
[Illustration: Fig. 218. Spindle whorl in gray clay decorated with
annular nodes--1/1.]
[Illustration: Fig. 219. Spindle whorl of gray clay with animal
figures--1/1.]
[Illustration: Fig. 220. Spindle whorl of dark clay with
perforations and incised ornament--1/1.]
NEEDLECASES (?).
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