Ancient art of the province of Chiriqui, Colombia: Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1884-1885, Government Printing Office, Washington, 1888, pages 3-188Holmes, William Henry
History
Ancient art of the province of Chiriqui, Colombia: Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1884-1885, Government Printing Office, Washington, 1888, pages 3-188
Holmes, William Henry
Chiriquí (Panama : Province) -- Antiquities; Indian pottery -- Panama; Indians of Central America -- Panama
I have already called attention to the fact that there is no such thing
in Chiriquian ceramic art as a well modeled human figure and apparently
no indication of an attempt to render the human physiognomy with
accuracy. It is highly probable that the personages embodied in the
mythology of the people took the forms of animals or were
anthropomorphic and gave rise to the peculiar conceptions embodied in
their arts. The strange objects herewith presented are rendered in a
measure intelligible by the adoption of this hypothesis. These figurines
are confined to the alligator group of ware and are quite numerous. They
are small, carefully finished, and painted with care in red and black
lines and figures. They are semihuman and appear to be arrayed in
costume. The head of each is triangular in shape, having a sharp,
projecting profile, with the mouth set back beneath the chin, reminding
one of the face of a squirrel or some such rodent. The figures occupy a
sitting posture. The legs are spread out horizontally, giving a firm
support, and terminate in blunt cones, which are in some cases slightly
bent up to represent feet. The hands rest upon the sides or thighs or
clasp a small figure apparently intended for an infant, which, however,
does not seem to have any human features. In one case this figure is
placed upon the back of the figurine and appears to hold its place by
means of four feet armed with claws (Fig. 226); in another it is held in
front (Fig. 227). The neck is usually pierced to facilitate suspension,
and the under side of the body--the sitting surface--is triply
perforated, or punctured if solid, as if for the purpose of fixing the
figure in an upright position to some movable support. The central
perforation is round and the lateral ones, on the under side of the
legs, are oblong. The largest specimen is six inches in height and the
smallest about one and a half inches. They are rather elaborately
painted with black and red devices which, by their peculiar geometric
character, are undoubtedly intended to indicate the costume. The hair is
represented by black stripes, which descend upon the neck, and the face
is striped with red. They are found associated with other relics in the
graves and were possibly only toys, but more probably were tutelary
images or served some unknown religious purpose. The sex is usually
feminine. Two additional examples showing side and back views are
outlined in Figs. 228 and 229.
[Illustration: Fig. 226. Statuette, alligator group--1/1.]
[Illustration: Fig. 227. Statuette, alligator group--1/1.]
[Illustration: Fig. 228. Statuette of small size--1/1.]
[Illustration: Fig. 229. Statuette of largest size--½.]
STOOLS.
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