Ancient art of the province of Chiriqui, Colombia: Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1884-1885, Government Printing Office, Washington, 1888, pages 3-188Holmes, William Henry
History
Ancient art of the province of Chiriqui, Colombia: Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1884-1885, Government Printing Office, Washington, 1888, pages 3-188
Holmes, William Henry
Chiriquí (Panama : Province) -- Antiquities; Indian pottery -- Panama; Indians of Central America -- Panama
In material, finish, and decoration these objects do not differ from the
ordinary pottery. A majority belong to the alligator group. The size is
generally small, the largest specimen being about eight inches in
length. The shapes are wonderfully varied and indicate a lively
imagination on the part of the potter. Animal forms prevail very
decidedly, that of the bird being a great favorite. In many cases the
animals copied can be identified, but in others they cannot--perhaps
from our lack of knowledge of the fauna of the province, perhaps from
carelessness on the part of the artist or from the tendency to model
grotesque and complicated shapes. The following creatures can be
recognized: men, pumas, ocelots, armadillos, eagles, owls, ducks,
parrots, several varieties of small birds, alligators, crabs, and
scorpions. Vegetal forms, excepting where in use as instruments or
utensils, as reeds and gourds, were not copied. In the National Museum
collection there are two tubular pipes, probably modeled after reeds,
and another resembles a gourd in shape. The construction of the
whistling apparatus is identical in all cases and corresponds to that of
our flageolets (see sections, Figs. 240 and 242). Plain tubes were
doubtless also used as whistles, and all utensils of small size, such as
needlecases and toy vases, can be made to give forth a note more or less
shrill, according to the size of the chamber. The simplest form of
whistle produces two shrill notes identical in pitch. The shape is
double, suggesting a primitive condition of the tibiæ pares of the
Romans. The parts are pear or gourd shaped, are joined above and below,
and have an opening between the necks. The two mouthpieces are so close
together that both are necessarily blown at once. The note produced is
pitched very high and is extremely penetrating, not to say ear
splitting, making an excellent call for the jungles and forests of the
tropics. A small specimen is presented full size in Fig. 239, and the
section in Fig. 240 shows the relative positions of the mouthpieces, air
passages, vent holes, and chambers.
[Illustration: Fig. 239. Double whistle, lost color ware--1/1.]
[Illustration: Fig. 240. Section of double whistle.]
[Music]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account