Ancient art of the province of Chiriqui, Colombia: Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1884-1885, Government Printing Office, Washington, 1888, pages 3-188Holmes, William Henry
History
Ancient art of the province of Chiriqui, Colombia: Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1884-1885, Government Printing Office, Washington, 1888, pages 3-188
Holmes, William Henry
Chiriquí (Panama : Province) -- Antiquities; Indian pottery -- Panama; Indians of Central America -- Panama
Besides the animal forms there are a number of shapes copied from other
musical instruments or from objects of art, such as vases. A very
interesting specimen, illustrated in Fig. 247, modeled in imitation of a
drum, has not only the general shape of that instrument, but the skin
head, with its bands and cords of attachment, is truthfully represented.
A curious conceit is here observed in the association of the bird--a
favorite form for the whistles--with the drum. A small figure of a bird
extends transversely across the body of the drum chamber, the back being
turned from the observer in the cut. The tail serves for a mouthpiece,
while the finger holes are placed in the breast of the bird, the
position usually assigned to them in simple bird whistles; its three
notes are indicated in the accompanying scale:
[Illustration: Fig. 247. Drum shaped whistle of plain ware, with
bird figure attached--1/1.]
[Illustration: Fig. 248. Vase shaped whistle, lost color ware--½.]
[Music]
One specimen is vase or pitcher shaped, with base prolonged for a
mouthpiece and with a neat handle (Fig. 248). The ground color is a dull
red, upon which are traces of painted figures. Its notes are as follows:
[Music]
A novel conceit is exhibited in the crab shaped instrument presented in
Fig. 249, which gives a back view of the animal. On the opposite side
are four small conical legs, upon which the object rests as does a vase
upon its tripod. The mouthpiece is in the right arm, beneath which is
the sound hole. The two finger holes are in the back behind the eyes of
the creature and a suspension hole is seen in the left arm. The painted
designs are in red and black lines upon a yellowish gray ground. The
following scale indicates its capacity:
[Illustration: Fig. 249. Crab shaped whistle, alligator ware--1/1.]
[Music]
The largest specimen in the collection, shown in Fig. 250, represents an
alligator and is finished in the usual conventional style of the
alligator group. The air chamber is large and the sounds emitted are
full and melodious and are lower in pitch than those of any other
instrument in the collection. The cavity in the mouth and head is
separated from the body chamber, and, with the addition of earthern
pellets, probably served as a rattle. The mouthpiece is in the tail and
the finger holes are in the sides of the body.
[Illustration: Fig. 250. Alligator shaped whistle, alligator
ware--½.]
[Music]
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