Ancient art of the province of Chiriqui, Colombia: Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1884-1885, Government Printing Office, Washington, 1888, pages 3-188Holmes, William Henry
History
Ancient art of the province of Chiriqui, Colombia: Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1884-1885, Government Printing Office, Washington, 1888, pages 3-188
Holmes, William Henry
Chiriquí (Panama : Province) -- Antiquities; Indian pottery -- Panama; Indians of Central America -- Panama
The pottery of the two groups already presented exhibits characters so
uniform throughout that there need be no hesitation in placing them
together as the work of one community and of one period of practice of
the art; but between these groups and those that follow there is a wide
gap. The differences are so marked that, if they had come from widely
separated localities, very intimate relationships would not have been
suggested.
[Illustration: Fig. 154. Cup with incurved rim and life form
ornamentation--½.]
[Illustration: Fig. 155. Cup with widely expanded rim and
constricted neck--½.]
_The maroon group._--For the want of a better name I have called the
group first to be presented the maroon group, on account of its color.
Our collection comprises not more than a dozen pieces of this ware. The
locality from which they come is called Los Tenajos by Mr. McNiel, but
he has not distinguished them in any way from the other varieties, and I
am therefore unable to say whether or not they occur together with
others or under identical conditions. In symmetry of outline, diversity
of shape, and cleverness of modeling this ware takes a high rank, but
there is no painted ornament. The surfaces are usually well polished,
and all exposed parts have received a coat of purplish maroon colored
paint. The paste contains a great deal of fine sand, and is yellowish
upon the surface and generally quite dark within the mass. Considering
the small number of pieces, the scale of form is remarkably varied.
There are plain bowls with incurved rims and with flaring rims, vases
with round bases, with annular stands, and with tripods, and life forms
wholly unique. Perhaps the most usual form is that shown in Fig. 154,
which represents a small cup with incurved rim and a narrow annular
base. The shoulder is embellished with three groups of small nodes, of
four each, which refer to some animal form. In other similar vases the
form of the creature is given in more realistic guise. A larger vase,
similar to this in most respects, has a rounded contour and incurved
lip. The periphery is supplied with four plain nodes. Another, shown in
Fig. 155, has a wide recurved rim, a character seen to equally good
advantage in some of the following figures. In the small vase
represented in Fig. 156 the treatment of animal forms in connection with
the body of the vessel is shown to good advantage. The head, legs, and
tail of what is probably intended to represent an alligator, modeled in
the round, are attached to the periphery of the basin, and heads of some
mammal are used for legs.
[Illustration: Fig. 156. Small tripod cup with animal features in
high relief--½.]
[Illustration: Fig. 157. Handsome vase supported by three grotesque
figures--½.]
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