In the vase shown in Fig. 166 the treatment is in a general way the same, but the compartments are triangular and are separated by lines that form a disconnected meander. An additional example is given in Fig. 167. Here the principal zone is expanded to cover the whole upper surface of the vase, which was finished in the light colored slip to receive it. The principal lines are arranged to give the effect of rays when viewed from above, but as seen in the cut they give the effect of a carelessly connected meander. The groups of lines are bordered by series of dots. A great number of pieces are painted in this style. The effect is varied by altering the shape of the interspaces or by modifying the number and relationship of the lines, dots, and figures. [Illustration: Fig. 167. Bottle with decoration of meandered lines--½.] [Illustration: Fig. 168. Bottle with arched panels and geometric devices--½.] Somewhat similar also in general effect to the last example is the work upon another important series of vases. Instead of the simple meandered or zigzag arrangement of parts, two of the dividing lines of the zone run tangent to the neck of the vase on opposite sides, forming arched panels and leaving upright panels between. In the example presented in Fig. 168 the arched areas are filled in with lattice-like arrangements of lines. In others we have dots, checkers, and varied geometric combinations, and in very many cases the figures are derived from life forms. The same may be said of the devices that occupy the spaces between the arches. The piece shown in Fig. 169 exhibits a somewhat more elaborate treatment, but the motives and arrangements are much the same. These vessels are peculiar in the treatment of the ground. The entire surface is red, with the exception of narrow bands of light ground color, which outline the arches and encircle the periphery. In other cases these bands are red, the remainder of the ground being light. Series of lines are drawn from the lower border of the zone to the center of the base of the body. [Illustration: Fig. 169. Bottle with arched panels and elaborate devices--½.] [Illustration: Fig. 170. Vase with rosette-like panels--½.] [Illustration: Fig. 170_a_. Ornament from vase shown in Fig. 170.]