Ancient art of the province of Chiriqui, Colombia: Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1884-1885, Government Printing Office, Washington, 1888, pages 3-188Holmes, William Henry
History
Ancient art of the province of Chiriqui, Colombia: Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1884-1885, Government Printing Office, Washington, 1888, pages 3-188
Holmes, William Henry
Chiriquí (Panama : Province) -- Antiquities; Indian pottery -- Panama; Indians of Central America -- Panama
In the series of outlines presented in Fig. 198, we have some of the
varieties of form and decoration of both the ordinary bottles and the
plainer tripod cups. Each example presents certain features of
particular interest. The handsome little bottle (_d_) with the plastic
ornament about the neck and the zone of geometric ornament in black and
red lines is unique. The double necked bottle is an unusual form and its
decoration consists of a strangely conceived representation of the
alligator. The tripod vases are worthy of close attention: the piece
illustrated in _b_ has a zone of ornament separated into three parts by
vertical spaces, each part being enframed in black. The sections are
divided by red lines into three panels, each of which contains a
conventional figure of an alligator in black. The piece shown in _a_ is
unique in its decoration. Four angular fret links in black are inclosed
in as many panels, bordered by red and separated by blank spaces. These
fret links, as I shall show further on, probably refer to or symbolize
the alligator. The legs of the cups are all conical and are marked with
short transverse lines in black, which have a direct reference to the
markings of the animal to which the vase was consecrated. A careful
study of the preceding illustrations leads to the conclusion that in the
mind of the potters there was a close and important relationship between
the vessel and the reptilian forms embodied in both plastic and surface
embellishment. The series of examples which follow have a bearing upon
this point. I shall begin with that in which the creature is most
literally rendered.
[Illustration: Fig. 199. Alligator vase, with conventional
markings--½.]
[Illustration: Fig. 200. Alligator vase, with conventional figures
of the alligator painted on the sides--½.]
In Fig. 199 the whole conformation of the vessel is considerably
modified through the attempt to perfect the likeness of the alligator,
whose head, tail, and legs are graphically rendered. The body, head, and
tail are covered with nodes, each of which is encircled by a black ring
and has a black dot upon the apex. Dotted rings and short strokes of
black occupy the interspaces. These devices represent the spines and
scales of the creature’s skin. The legs are marked with horizontal
stripes and oval spaces at the top inclose three dots each. The general
color of the vessel is a dark brown. This piece should be compared with
the alligator whistle shown in Fig. 250.
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