Ancient art of the province of Chiriqui, Colombia: Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1884-1885, Government Printing Office, Washington, 1888, pages 3-188Holmes, William Henry
History
Ancient art of the province of Chiriqui, Colombia: Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1884-1885, Government Printing Office, Washington, 1888, pages 3-188
Holmes, William Henry
Chiriquí (Panama : Province) -- Antiquities; Indian pottery -- Panama; Indians of Central America -- Panama
_The polychrome group._--The National Museum collection contains but
three examples of this most artistic of the wares of Chiriqui. Its claim
to superiority rests upon a certain boldness and refinement of
execution, combined with nobleness of outline and a type of design much
in advance of other isthmian decoration. It is probably most nearly
allied to the ware of the alligator group, and it possesses some of the
characteristics of the best Central American work. Unlike the other
wares of Chiriqui, this pottery has a bright salmon red paste and the
slip proper is a delicate shade of the same color. In nearly all cases
undecorated portions of the surface are finished in red, which appears
to have been polished down as a slip. The designs are in three
colors--black, a strong red, and a fine gray purple--which, in
combination with the bright reddish ground, give a very rich effect. The
first example, shown in Fig. 207, is a large, nearly symmetrical bottle
with a short neck and a thick, flaring lip. The inner surface of the
orifice and the lower half of the body are finished in red and the neck
and shoulder in the salmon colored slip. A wide zone of ornament
encircles the upper surface of the body. The designs are executed with
great skill in red and black colors and include two highly conventional
figures, probably of reptilian origin. The manner of their introduction
into the zone is shown in Fig. 208. The oval faces are placed on
opposite sides, taking the positions usually occupied by modeled heads.
Each face is supplemented by a pair of arms which terminate in curiously
conventional hands, and the two caudal appendages are placed midway
between the faces, filling triangular areas. The body of the vase serves
as a body for both creatures. In the illustration, the red of the
design, which is carried over all of one face save the eyes and mouth
and serves to emphasize the features of the other face, is indicated in
vertical tint lines and the black is given in solid color. This vase is
twelve inches in height.
[Illustration: Fig. 208. Devices of the decorated zone of vase shown
in Fig. 207.]
[Illustration: Fig. 209. Handsome vase with four handles and
decorations in black, red, and purple--⅔.]
Public-domain text, read in full here on John Shaqi.
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