It has been remarked above that the motive power which brought about the religious revolution is probably to be found in the powerful influence and the peculiar views of the queen mother, Tii or Taia. This princess was of foreign origin; her complexion was fair, her eyes blue, her hair flaxen, her cheeks rosy; she probably brought her "disk-worship" with her from her own country, whether it were Syria, or Arabia, or any other. Already in the lifetime of her husband, Amenhotep III., she had prevailed on him, as his wives prevailed on Solomon (i Kings xi. 4-8), to allow her the free exercise of her own religion, and to provide her with the means of carrying it on with all proper pomp and ceremony. At her instance, Amenhotep III. constructed a great lake or basin, more than a mile long and a thousand feet broad, to be made use of for religious purposes on the queen's special festival day. It was proper on that festival day that "the barge of the most beautiful Disk" should perform a voyage on a sheet of water in the presence of his worshippers--a voyage probably representing the course of the sun through the heavens during the year. There is evidence that this festival was kept on the sixteenth day of the month Athor, in the eleventh year of Amenhotep III., and that the king himself took part in it. So far, Queen Taia succeeded in introducing her religion into Egypt while her husband was alive. At his death she found herself regent for her son, or, at any rate, associated with him upon the throne, and saw that a fresh opportunity for pushing her religious views offered itself. Amenhotep IV. was of a most extraordinary _physique_ and physiognomy. His appearance was rather that of a woman than of a man; he had a slanting forehead, a long aquiline nose, a flexible projecting mouth, and a strongly developed chin. His neck, which is represented as most unusually long, seems scarcely equal to the support of his head; and his spindle shanks seem ill adapted to sustain the weight of his over-corpulent frame. He readily yielded himself to his mother's influence, and completed her work in the manner which has been already described. As Thebes opposed itself to his reforms, he deserted it, withdrew his court to Tel-el-Amarna, and there raised the temples, palaces, and other monuments, in a "very advanced" style of art, which may be seen at the present day. [Illustration: HEAD OF AMENHOTEP IV. (KHUENATEN).]