Truly the Egyptians were, as Mr. Fergusson enthusiastically asserts, "the most essentially a building people of all those we are acquainted with, and the most generally successful in all that they attempted in this way. The Greeks, it is true, surpassed them in refinement and beauty of detail, and in the class of sculpture with which they ornamented their buildings, while the Gothic architects far excelled them in constructive cleverness; but with these exceptions, no other styles can be put into competition with them. At the same time, neither Grecian nor Gothic architects understood more perfectly all the gradations of art, and the exact character that should be given to every form and every detail.... They understood also better than any other nation, how to use sculpture In combination with architecture, and to make their colossi and avenues of sphinxes group themselves into parts of one great design, and at the same time to use historical paintings, fading by insensible degrees into hieroglyphics on the one hand, and into sculpture on the other, linking the whole together with the highest class of phonetic utterance. With the most brilliant colouring, they thus harmonized all these arts Into one great whole, unsurpassed by anything the world has seen during the thirty centuries of struggle and aspiration that have elapsed since the brilliant days of the great kingdom of the Pharaohs." Not only did architecture and the glyphic art reach such perfection during this period, but the arts of life made considerable progress. The royal costumes became suddenly most elaborate; brilliant colours, costly armlets and bracelets, many-hued collars, complicated head-dresses, elegant sandals, jewels of price, gay sashes, and wigs with conventional adornment, came into vogue. Luxury was exhibited in the designs of the dwellings of the wealthy; the grounds were laid out with formal courts and alleys, palms and vines adorned them, ponds and reservoirs gave freshness to the summer temperature, irrigation clothed the lawns with verdure. Inside, there was richly carved furniture covered with cushions of delicate stuffs, and adding the harmony of colour to the luxurious scene. The horse, which had been introduced from Asia, helped in the march of extravagance and refinement; the chariot took the place of the palanquin, and there was a new opportunity for adornment in the trappings, as well as in the construction of light or heavy vehicles.