On the whole, it seems most likely that this monument was the sanctuary of some local hero, possibly of the original founder or leader (οἰκιστής or ἀρχηγέτης), like the Theseum at Athens. It might, therefore, have been the Harpageum, or memorial of Harpagus, or of the Harpagi. Mr. Benjamin Gibson has supposed that the “Trophy monument” was intended to commemorate “the conquest of Lycia by the united forces of the Persians and Ionians” (Mus. of Class. Antiq. vol. i. 132); and Mr. Watkiss Lloyd has published an able memoir on it, entitled “Xanthian Marbles—the Nereid Monument.” Footnote 60: This “curtain” was a sort of appendage attached to the lower end of the shield, and was intended to protect the legs from stones. It was called λαισήἲον, and is mentioned in Hom. Il. v. 453: ἀσπίδας ἐυκὐκλους λαισήϊά τε πτερόεντα. A vase published by Inghirami well represents the usual character of this appendage. Millingen supposes the subject of this vase to be “Antiope leading Theseus to the walls of Themiscyra.” (Cf. Müller, Arch. d. Kunst, § 342.) Footnote 61: Some of these scenes may refer to real events in the history of Xanthus; and the Oriental chief, too, on the “Trophy” monument would seem to be aided by Greek mercenaries. Footnote 62: It has been suggested that the so-called _triquetra_ on the Lycian coins, consisting of three curved objects, like sickles or elephant- goads, or the _harpa_ (ἅρπη) of Perseus, joined in the centre, is emblematic of the name of Harpagus. Such “canting heraldry” (as in the case of _Arpi_ in Apulia, and of _Zancle_ in Sicily) is not, however, accepted by the best numismatists as of approved Greek use, though possible enough among a semi-Oriental population. Footnote 63: The plate on the opposite page must not be considered as more than a possible arrangement of some of the sculptures found. 2. The Miscellaneous reliefs found in and about the Acropolis are chiefly relics of much older buildings; they are generally in the rough, gritty stone of the country, and have some resemblance to early Greek work, especially to the sculptures from Assos. Their chief subjects are a lion devouring a deer, and a satyr, the size of life, running along the ground. [Illustration: IONIC TROPHY MONUMENT. ]