With his chisel in his left hand and his mallet in his right, he
resumed, but without ardour, an interrupted rough study. It was the
breast and shoulders of a gigantic horse intended for the temple of
Poseidon. Under the close-cropped mane, the skin of the neck, puckered
by a movement of the head, curved in geometrically like an undulating
marine basin.
Three days before, the details of this regular muscular arrangement had
entirely absorbed all Demetrios’s interest; but on the morning of the
death of Chrysis, the aspect of things seemed changed. Less calm than
he could have wished, Demetrios could not succeed in fixing his
preoccupied thoughts. A sort of veil which he could not lift interposed
itself between him and the marble. He throw down his mallet and began
to pace about amongst the dusty pedestals.
Suddenly he crossed the court, called a slave, and said to her:
“Prepare the piscina and the aromatics. Bathe me and perfume me, give
me my white garments, and light the round perfume-pans.”
When he had finished his toilette, he summoned two other slaves.
“Go,” said he, “to the Queen’s prison; hand the gaoler this lump of
potter’s earth, and tell him to place it in the death-chamber of
Chrysis the courtesan. If the body has not already been thrown into the
dungeon, charge him to take no action until he receives my orders. Go
quickly.”
He put a roughing-chisel into the fold of his girdle and opened the
principal door which gave upon the deserted avenue of the Dromos.
Suddenly he halted on the threshold, stupefied by the immense midday
light of Africa.
ill-083
The street was certainly white and the houses white too, but the flame
of the perpendicular sunbeams bathed the gleaming surfaces with such a
fury of reflections that the limestone walls and the pavements danced
with prodigious incandescence in dark blue, red, green, raw ochre, and
hyacinth. Great palpitating pillars of colour seemed to hang in the air
and to be superimposed in transparent masses over the shimmering,
flaming facades. The very lines of the houses lost their shape behind
this dazzling magnificence; the right wall of the street rounded off
dimly into space, floated like a piece of drapery, and in certain
places became invisible. A dog lying near a street-post was literally
bathed in crimson.
Lost in admiration, Demetrios saw a symbol of his new existence in this
spectacle. He had lived long enough in solitary night, in silence, and
in peace. Long enough had he taken moon-beams for light, and, for his
ideal, the languid line of a too delicate pose, His work was not
virile. There was an icy shiver on the skin of his statues.
Public-domain text, read in full here on John Shaqi.
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