“Awake, O north wind!
Blow, thou south!
Blow upon my garden,
That the spices thereof may flow out.”
She rounds her arms, and holds out her mouth.
“Let my beloved come into his garden
And eat of his pleasant fruits.
Yes, I come into my garden,
O! my sister, my spouse,
I gather my myrrh with my spice,
I eat my honeycomb with my honey.
I drink my wine with my milk.
SET ME AS A SEAL UPON THINE HEART
AS A SEAL UPON THINE ARM
FOR LOVE IS STRONG AS DEATH.” [1]
Without moving her feet, without bending her tightly-pressed knees, she
slowly turns her body upon her motionless hips. Her face and her two
breasts, above her tightly-swathed legs, seem three great pink flowers
in a flower-holder made of stuffs.
She dances gravely, with her shoulders and her head and the
intermingling of her beautiful arms. She seems to suffer in her sheath
and to reveal ever and ever more the whiteness of her half imprisoned
body. Her breathing inflates her breast. Her mouth cannot close. Her
eyelids cannot open. A heightening flame flushes her cheeks.
Now her ten interlocked fingers join before her face. Now she raises
her arms. She strains voluptuously. A long fugitive groove separates
her shoulders as they rise and fall. Finally, with a single movement of
her body, enveloping her panting visage in her hair as with a bridal
veil, she tremblingly unfastens the sculptured clasp which retained her
garment about her loins, and allows all the mystery of her grace to
slip down upon the ground.
Demetrios and Chrysis . . .
Their first embracement before love is immediately so perfect, so
harmonious, that they keep it immobile, in order fully to know its
multiple voluptuousness. One of her breasts stands out erect and round,
from under the strong encircling arm of Demetrios. One of her burning
thighs is rivetted between his two legs, and the other lies with all
its heavy weight thrown upon them. They remain thus, motionless,
clasped together but not penetrated, in the rising exaltation of an
inflexible desire which they are loth to satisfy. At first, they catch
at one another with their mouths alone. They intoxicate each other with
the contact of their aching and ungated virginities.
ill-066
_She dances gravely with her shoulders and her head._
We look at nothing so minutely as the face of the woman we love. Seen
at the excessively close range of the kiss, Chrysis’s eyes seem
enormous. When she closes them, two parallel creases remain on each
eyelid, and a leaden-hued patch extends from the brilliant eyebrows to
the verge of the cheeks. When she opens them, a green ring, fine as a
silken thread, illumines with a coloured coronal the fathomless black
eyeball immeasurably distended under the long curved lashes. The little
pellet of red flesh whence the tears flow has sudden palpitations.
Public-domain text, read in full here on John Shaqi.
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