Ancient Pagan and Modern Christian Symbolism: With an Essay on Baal Worship, on the Assyrian Sacred "Grove," and Other Allied SymbolsInman, Thomas
Religion
Ancient Pagan and Modern Christian Symbolism: With an Essay on Baal Worship, on the Assyrian Sacred "Grove," and Other Allied Symbols
Inman, Thomas
Christian art and symbolism; Symbolism
In worship, ghee, or oil, or water, is poured over the pillar, and
allowed to run off by the spout. Sometimes the pillar is adorned by a
necklace, and is associated with the serpent emblem. In Lucian's account
of Alexander, the false prophet, which we have condensed in Ancient
Faiths, second edition, there is a reference to one of his dupes, who
was a distinguished Roman officer, but so very superstitious, or, as he
would say of himself, so deeply imbued with religion, that at the sight
of a stone he would fall prostrate and adore it for a considerable time,
offering prayers and vows thereto. This may by some be thought quite
as reasonable as the practice once enforced in Christian Rome, which
obliged all persons in the street to kneel in reverence when an ugly
black doll, called "the bambino," or a bit of bread, over which some
cabalistic words had been muttered, was being carried in procession past
them. Arnobins, Op, Cit., p. 81, says, "I worshipped images produced
from the furnace, gods made on anvils and by hammers, the bones of
elephants, paintings, wreaths on aged trees; whenever I espied an
anointed stone, and one bedaubed with olive oil, as if some person
resided in it, I worshipped it, I addressed myself to it, and begged
blessings from a senseless stock." Compare Gen. xxviii. 18, wherein we
find that Jacob set up a stone and anointed it with oil, and called the
place Bethel, and Is. xxvii. 19, xl. 20, xliv. 10-20.
I copy the following remarks from a paper by Mr. Sellon, in Memoirs of
the London Anthropological Society, for 1868-4. Speaking of Hindostan,
he remarks, "As every village has its temple so every temple has its
Lingam, and these parochial Lingams are usually from two to three feet
in height, and rather broad at the base. Here the village girls, who are
anxious for lovers or husbands, repair early in the morning. They make
a lustration by sprinkling the god with water brought from the Ganges;
they deck the Linga with garlands of the sweet-smelling bilwa flower;
they perform the mudra, or gesticulation with the fingers, and, reciting
the prescribed mantras, or incantations, they rub themselves against
the emblem, and entreat the deity to make them fruitful mothers of
pulee-pullum (i.e., child fruit).
"This is the celebrated Linga puja, during the performance of which the
panchaty, or five lamps, must be lighted, and the gantha, or bell, be
frequently rung to scare away the evil demons. The mala, or rosary of a
hundred and eight round beads, is also used in this puja."
Public-domain text, read in full here on John Shaqi.
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