Ancient Pagan and Modern Christian Symbolism: With an Essay on Baal Worship, on the Assyrian Sacred "Grove," and Other Allied SymbolsInman, Thomas
Religion
Ancient Pagan and Modern Christian Symbolism: With an Essay on Baal Worship, on the Assyrian Sacred "Grove," and Other Allied Symbols
Inman, Thomas
Christian art and symbolism; Symbolism
In Grecian story, Ouranos and Ge, or heaven and earth, were the parents
of creation; and Jupiter came from heaven to impregnate Alcmena. The
same mythos prevailed throughout all civilised nations. Christianity
adopted the idea, merely altering the names of the respective parents,
and attributed the regeneration of the world to "holy breath" and Mary.
Every individual, indeed, extraordinarily conspicuous for wisdom, power,
goodness, etc., is said to have been begotten on a woman by a celestial
father. Within the vesica piscis, artists usually represent the virgin
herself, with or without the child; in the figure before us the child
takes her place. It is difficult to believe that the ecclesiastics who
sanctioned the publication of such a print could have been as ignorant
as modern ritualists. It is equally difficult to believe that the
latter, if they knew the real meaning of the symbols commonly used by
the Roman church, would adopt them.
The last two figures, symbolic of adoration before divine sexual
emblems, afford me the opportunity to give a description of a similar
worship existent in Hindostan at the present time. My authority is H.
H. Wilson, in Essays on the Religion of the Hindoos, Truebner and Co.,
London. "The worshippers," he remarks, vol. i., p. 240, "of the Sakti,
the power or energy of the divine nature in action, are exceedingly
numerous amongst all classes of Hindoos--about three-fourths are of this
sect, while only a fifth are Vaishnavas and a sixteenth Saivas. This
active energy is personified, and the form with which it is invested
depends upon the bias of the individuals. The most favourite form is
that of Parvati, Bhavani, or Durga, the wife of Siva, or Mahadeva."
"The worship of the female principle, as distinct from the divinity,
appears to have originated in the literal interpretation of the
metaphorical language of the Vedas, in which the will or purpose to
create the universe is represented as originating from the creator, and
consistent with him as his bride." "The Samaveda for example, says, the
creator felt not delight being alone; he wished another, and caused
his own self to fall in twain, and thus became husband and wife. He
approached her, and thus were human beings produced." A sentiment
or statement which we may notice in passing is very similar to that
propounded in Genesis, ch. i. 27, and v. 1, 2, respecting Elohim--viz.,
that he created man and woman in his own image, i.e., as male and
female, bisexual but united--an androgyne.
"This female principle goes by innumerable cognomens, inasmuch as every
goddess, every nymph, and all women are identified with it. She--the
principle personified--is the mother of all, as Mahadeva, the male
principle, is the father of all."
Public-domain text, read in full here on John Shaqi.
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