Ancient Pagan and Modern Christian Symbolism: With an Essay on Baal Worship, on the Assyrian Sacred "Grove," and Other Allied SymbolsInman, Thomas
Religion
Ancient Pagan and Modern Christian Symbolism: With an Essay on Baal Worship, on the Assyrian Sacred "Grove," and Other Allied Symbols
Inman, Thomas
Christian art and symbolism; Symbolism
** Apuleius, who had been initiated into the mysteries of
Isis, informs us that long life was the reward promised to
her votaries. (Metam. cap. xi.)
In the ancient mythology of India, it is recounted that of old the gods
in council united together to procure, by one supreme effort, the Amrita
cup of immortality, which, after the success of their scheme, they
partake of with their worshippers. Even for the Buddhist, his cold,
atheistical creed promises a Nirvana, an escape from the horrors of
metempsychosis, a haven of eternal calm, where "there shall be no more
death, neither sorrow nor crying, neither shall there be any more pain,
for the former things are passed away;" "there the weary be at rest."
Rev. xxi. 4, Job iii. 17.
This idea of tranquillity is in striking contrast to the heaven promised
by the religion of the north of Europe, which was the one most congenial
to a people whose delight was in conquest and battle. Those who had led
a life of heroism, or perished bravely in fight, ascended to Valhalla;
and the eternal manhood which awaited them there was to be passed in
scenes that were rapture to the imagination of a Dane or a Saxon. Every
day in that abode of bliss was to be spent in furious conflict, in
the struggle of armies and the cleaving of shields; but at evening
the conflict was to cease; every wound to be suddenly healed. Then the
contending warriors were to sit down to a banquet, where, attended by
lovely maidens, they could feast on the exhaustless flesh of the boar
Saehrimnir, and drink huge draughts of mead from the skulls of those
enemies who had not attained to the glories of Valhalla.
The paradise promised to the faithful by Mahomet is full of sensuous
delights. The Arabian prophet dwells with rapture on its gardens and
palaces, its rivers and bowers. Seventy-two houris, or black-eyed girls,
rejoicing in beauty and ever-blooming youth, will be created for the
use of the meanest believer; a moment of pleasure will be prolonged to
a thousand years, and his powers will be increased a hundred-fold to
render him worthy of his felicity.
Thus we see that in all these great historical faiths the prize held
out to the true believer has this in common, viz., Life, overflowing,
ever-renewed, with the addition of those things which make life
desirable for men; whether they are sensuous pleasures, or those which,
under the loftier ideal of Christianity, are summed up in Life, both
temporal and eternal, in the light of God.
Such being the case, we might anticipate that the symbols of every
religion would reproduce, in some shape or other, the ideal which is
common to all. The earliest and rudest faiths were content with gross
and simple emblems of life. In the later and more refined forms of
worship, the ruder types were highly conventionalised, and replaced by a
more intricate and less obvious symbolism.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account