Ancient rhetoric and poetic : $b Interpreted from representative worksBaldwin, Charles Sears
History
Ancient rhetoric and poetic : $b Interpreted from representative works
Baldwin, Charles Sears
Classical literature -- History and criticism -- Theory, etc.; Poetics -- History -- To 1500; Rhetoric, Ancient
In detail, _status_ (III. vi), meaning generally and simply “status,”
refers technically to a classifying system for determining “the nature of
the case” (see 3. a, in the tabular view above). Of its three divisions,
_coniectura_, having nothing to do with “conjecture,” denotes a main
issue of fact; _finis_, a main issue of definition; _qualitas_, a more
general issue of morals or policy. _Narratio_ (IV. ii) means never
“narration” in the sense assigned by recent text-books, always either
“statement of the facts” or, more generally, “exposition.” These and
other technical terms have been guarded, in the tabular view above and in
the interpretations below, by adding the Latin originals.
C. TYPICAL DOCTRINE
(1) _Elementary Exercises_
The tradition of _grammatica_ as having the twofold function of forming
right speech and of expounding poetry[4] continued for centuries.[5]
Traditional also are the first exercises in composition.[6] A chapter (x)
on the concurrence of other studies toward a rounded education,[7] and
one on elocution (xi), close a preliminary pedagogy so suggestive as to
be still studied to-day.
(2) _Declamatio_
The counsels to _rhetor_ (II) imply a warm atmosphere of promotion and a
general habit of collaboration.
“The teacher himself should speak something—nay, many things
a day—for auditory memory. Though reading aloud may supply a
plenty of examples to imitate, nevertheless the living voice
gives ampler nourishment, especially the voice of the teacher,
whom the pupils, if they be rightly taught, at once love and
respect.... Thus while mastery comes through writing, critical
faculty will come through hearing.” II. ii.
The teacher should frankly and fully show how. His criticism should
beware of setting up inhibitions. To be promotive, he should find
something to praise, and, besides explaining why he would have this out
or that changed, should illuminate by interposing something of his own.
Sometimes it will be helpful to give whole treatments which the boy may
imitate without losing faith in his own (II. iv). In short, the teacher’s
_declamatio_ should be a model for his students (II. v).
“In this teachers have shown a divergence of method. Some of
them would develop orally the outlines that they gave their
pupils to speak from, not content to guide by the [assigned]
division. Not only would they amplify argumentatively, but also
emotionally. Others, giving only a sketch, would after the
pupils’ speeches treat what each one had scanted. Some topics,
indeed, they would elaborate with no less care than when they
themselves were the orators. Either method is useful; neither,
I think, should be separated from the other; but, if there must
be a choice between the two, it will more avail to have shown
the right way in advance than to recall from their error those
who have already fallen.” II. vi. 1-2.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account