Ancient rhetoric and poetic : $b Interpreted from representative worksBaldwin, Charles Sears
History
Ancient rhetoric and poetic : $b Interpreted from representative works
Baldwin, Charles Sears
Classical literature -- History and criticism -- Theory, etc.; Poetics -- History -- To 1500; Rhetoric, Ancient
“From this diversity of talents arises the question whether
the preparation of a speech should go so far as learning by
heart (_ad verbum sit ediscendum dicturis_), or only far
enough to grasp the force of each point and the order (_an
vim modo rerum atque ordinem complecti satis sit_). As to
this doubtless no rule can be proclaimed as universal. With a
memory strong enough, and with time enough, I should like to
hold every syllable. Otherwise it is idle to write [the speech
out. Such power] is to be secured especially in boyhood, and
memory to be trained to that habit, lest we learn to excuse
ourselves. Therefore to be prompted or to refer to notes is a
fault, because it encourages slackness, and there is no secure
hold without some anxiety not to lose. By prompting or the use
of notes the impetus of delivery is interrupted, the speech
halting and abrupt; and he who speaks as if he were reciting
forfeits the whole charm even of what he has written well by
betraying that it has been written [i.e., memorizing, to be
effective, must be perfect].
“Memory can even give such an impression of impromptu talent
that we seem not to have brought the speech from home, but to
have laid hold of it on the spot; and that is a great advantage
both to the orator and to his case....
“But if memory is less tractable, or if time does not suffice,
tying oneself to words will be useless, since the forgetting
of a single one may lead to awkward hesitation, or even to
silence. It is far safer, having firmly grasped the substance,
to give oneself freedom of expression.” XI. ii. 44-48.
D. SCOPE AND PLAN
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account